Aurelien Pontier - Vienna: Joyful Apocalypse - COMPACT DISCS [CD]

Eric Siereveld's Organic Quintet returns with Sweet William, featuring Siereveld on trumpet and Steve Snyder on B3 organ. New members Bill Todd, Tony Davis, and Carmen Intorre Jr. Join the group, with special guest trombonist Steve Davis featured on six of the eight tracks. Sweet William proves that organ jazz can still be soulful, swinging, and elegant.

Published in 1694, these sonatas by Johann Paul von Westhoff are among the most fascinating pieces in the repertory. The inspiration and stylistic audacity displayed by their composer are perfectly reflected in this recording by David Plantier and Les Plaisirs du Parnasse. After the success of the Red, Yellow, Blue, Pink and White collections (a total of sixty reissues) which gave a new lease of life to the pearls of the Baroque catalogues from our house labels, here are fourteen new titles which offer a chance to discover other treasures, whether Baroque or dating from an earlier or later era. Like the most recent series, this sixth instalment opens out onto the Classical repertory (Mozart by Ensemble 415 and Chiara Banchini) and the Renaissance (Févin by Doulce Mémoire and Denis Raisin Dadre); recordings that are an integral part of Alpha's identity and history. Fourteen reissues performed by the leading musicians in the field, most of which received one or more awards on their original . Proper booklets accompany the discs, with notes in three languages (French, English, German). Photographers from all over the world have been selected to illustrate the covers, this time with the guiding thread of the color green, a symbol of nature, fertility... and hope!

M.C. Taylor recorded this spiritually devastating, austere antecedent to the widely celebrated Hiss Golden Messenger albums Haw (2013) and Poor Moon (2011) direct to a portable cassette recorder at the kitchen table of his pine-entwined home in rural Piedmont, NC in 2010. It was the dead of winter and the pit of the financial crisis, a moment when the dire ramifications of debt - in it's economic, political, and personal senses - had assumed a rank immediacy and terror for many working people around the world, not least of all in the American South. Taylor, his one-year old boy Elijah sleeping in the next room, was compelled to chart the sacred valences of debt, doubt, and family in fresh ways, in the process stripping bare and reinventing his songwriting idiom.