Beethoven / Ginzel / Weisbrod - Piano & Cello Works - COMPACT DISCS [CD]

Biography (by Alex Henderson) There are two very different metal bands that have used the name Black Dawn. One is a Scandinavian death metal/black metal outfit from Finland; in the early 2000s, that band recorded an album titled Blood for Satan for Necropolis (a tag that is known for putting out a lot of death metal, black metal, and grindcore by Scandinavian artists). The focus of this bio, however, is an alternative metal combo that has been active on the New York scene since the early '90s. In fact, New York's Black Dawn has made a point of stating that it's members have no connection to the Finnish band; on their website, the New Yorkers state, 'We have nothing to do with Satanism, black metal, Necropolis Records, or a disc called Blood for Satan.' The Black Dawn profiled in this bio goes back to 1992, when guitarist Tom Kelly formed the band's original lineup on suburban Long Island. At first, Kelly thought of Black Dawn as something that he would do on the side. But as time passed, he found himself devoting more and more of his time to the band; whose forceful and intense yet melodic style of alternative metal has been influenced by Metallica and Pantera as well as Testament (specifically, the albums that Testament recorded in the late '80s and early '90s; before Testament reinvented itself with 1997's ferocious Demonic). Black Dawn has also been compared to Megadeth and Venom; it's alterna-metal isn't thrash metal per se, but it has been influenced by some of the bands that have come out of the thrash field. After playing in and around New York for several years, Black Dawn acquired a small following in the Northeastern United States. Black Dawn had been together for five years when, in 1997, it recorded it's self-titled debut album for the Long Island-based Suicidal Groove tag. That CD was followed by the 1998 EP Live at CBGB, which was recorded at the famous

Ludwig van Beethoven - Works for Cello & Piano [COMPACT DISCS] date 01/01/2010

With four superb albums already setting new artistic benchmarks, the Folkwang Kammerorchester Essen continues it's exploration of the complete symphonic oeuvre of Mozart under the baton of celebrated Mozart specialist Johannes Klumpp. Now this fifth stage of the ensemble's sonic journey brings us Symphonies Nos. 8, 22, 23, and-as a brilliant highlight-the grand Symphony No. 39 in E-flat major. International critics praise these recordings for their Inchexceptional technical masteryInch and hail conductor and orchestra alike as Inchideal Mozart interpreters.Inch This is a testament to the radiant diversity and expressive power of Mozart's symphonic writing.