When William Steinberg was appointed music director of the Boston Symphony in 1969 as successor to Erich Leinsdorf, he attained the pinnacle of his career. No previous conductor had headed two top-ten US orchestras simultaneously. It was a condition of his Boston position that he could continue to work in Pittsburgh with the orchestra that he had headed since 1952. Born as Hans Wilhelm Steinberg in Cologne on 1 August 1899, he studied at the local conservatory with the conductor Hermann Abendroth and the pianist Lazzaro Uzielli, a Clara Schumann pupil. On graduating in 1920 he became Otto Klemperer's assistant at the Cologne opera house. In 1929 he was appointed music director in Frankfurt. Relieved of his post by the Nazis in 1933, he conducted concerts in Frankfurt and Berlin under the auspices of the Jewish Cultural League before emigrating to Palestine in 1936 to take over the Palestine Orchestra (now Israel Philharmonic Orchestra). At Toscanini's invitation he went to the United States in 1938 to assist in forming and training the new NBC Symphony Orchestra. In 1945 he assumed the music directorship of the Buffalo Philharmonic, where he liked to refer to himself as InchBuffalo BillInch. The Steinberg/Boston collaboration with RCA was unfortunately ill-fated and short-lived. Not because of the repertoire, but plummeting sales and spiraling costs plaguing the American recording industry in general persuaded RCA to let it's contract with the Boston Symphony lapse after 52 years' association. Gramophone magazine's Peter Quantrill claimed in 2018 that Steinberg was Inchthe most under-recorded of great conductors in the second half of the last century.Inch In 2004 the critic Richard Freed wrote of the Schubert Ninth (CD 1) and Bruckner Sixth (CD 2) Symphonies InchBoth [are] vital and inspiring performances, free of the monumentalizing all too often inflicted on such m