Boston Symphony Orchestra - The Complete RCA Victor Recordings - William Steinberg & Boston Symphony - COMPACT DISCS [CD]
Reviews coming soon
About this product
When William Steinberg was appointed music director of the Boston Symphony in 1969 as successor to Erich Leinsdorf, he attained the pinnacle of his career. No previous conductor had headed two top-ten US orchestras simultaneously. It was a condition of his Boston position that he could continue to work in Pittsburgh with the orchestra that he had headed since 1952. Born as Hans Wilhelm Steinberg in Cologne on 1 August 1899, he studied at the local conservatory with the conductor Hermann Abendroth and the pianist Lazzaro Uzielli, a Clara Schumann pupil. On graduating in 1920 he became Otto Klemperer's assistant at the Cologne opera house. In 1929 he was appointed music director in Frankfurt. Relieved of his post by the Nazis in 1933, he conducted concerts in Frankfurt and Berlin under the auspices of the Jewish Cultural League before emigrating to Palestine in 1936 to take over the Palestine Orchestra (now Israel Philharmonic Orchestra). At Toscanini's invitation he went to the United States in 1938 to assist in forming and training the new NBC Symphony Orchestra. In 1945 he assumed the music directorship of the Buffalo Philharmonic, where he liked to refer to himself as InchBuffalo BillInch. The Steinberg/Boston collaboration with RCA was unfortunately ill-fated and short-lived. Not because of the repertoire, but plummeting sales and spiraling costs plaguing the American recording industry in general persuaded RCA to let it's contract with the Boston Symphony lapse after 52 years' association. Gramophone magazine's Peter Quantrill claimed in 2018 that Steinberg was Inchthe most under-recorded of great conductors in the second half of the last century.Inch In 2004 the critic Richard Freed wrote of the Schubert Ninth (CD 1) and Bruckner Sixth (CD 2) Symphonies InchBoth [are] vital and inspiring performances, free of the monumentalizing all too often inflicted on such m
Specifications
- GenreClassicalDescriptionWhen William Steinberg was appointed music director of the Boston Symphony in 1969 as successor to Erich Leinsdorf, he attained the pinnacle of his career. No previous conductor had headed two top-ten US orchestras simultaneously. It was a condition of his Boston position that he could continue to work in Pittsburgh with the orchestra that he had headed since 1952. Born as Hans Wilhelm Steinberg in Cologne on 1 August 1899, he studied at the local conservatory with the conductor Hermann Abendroth and the pianist Lazzaro Uzielli, a Clara Schumann pupil. On graduating in 1920 he became Otto Klemperer's assistant at the Cologne opera house. In 1929 he was appointed music director in Frankfurt. Relieved of his post by the Nazis in 1933, he conducted concerts in Frankfurt and Berlin under the auspices of the Jewish Cultural League before emigrating to Palestine in 1936 to take over the Palestine Orchestra (now Israel Philharmonic Orchestra). At Toscanini's invitation he went to the United States in 1938 to assist in forming and training the new NBC Symphony Orchestra. In 1945 he assumed the music directorship of the Buffalo Philharmonic, where he liked to refer to himself as InchBuffalo BillInch. The Steinberg/Boston collaboration with RCA was unfortunately ill-fated and short-lived. Not because of the repertoire, but plummeting sales and spiraling costs plaguing the American recording industry in general persuaded RCA to let it's contract with the Boston Symphony lapse after 52 years' association. Gramophone magazine's Peter Quantrill claimed in 2018 that Steinberg was Inchthe most under-recorded of great conductors in the second half of the last century.Inch In 2004 the critic Richard Freed wrote of the Schubert Ninth (CD 1) and Bruckner Sixth (CD 2) Symphonies InchBoth [are] vital and inspiring performances, free of the monumentalizing all too often inflicted on such mArtistBOSTON SYMPHONY ORCHESTRATitleThe Complete RCA Victor Recordings - William Steinberg & Boston Symphony OrchestraFormatCDLabelSony Masterworks
Reviews
This product doesn't have any reviews yet.
Compare similar products
![Boston Symphony Orchestra - The Complete RCA Victor Recordings - William Steinberg & Boston Symphony - COMPACT DISCS [CD]](https://pisces.bbystatic.com/image2/BestBuy_US/images/products/218724eb-b977-469f-bd7c-90e2f8221857.jpg;maxHeight=422;maxWidth=264?format=webp)
When William Steinberg was appointed music director of the Boston Symphony in 1969 as successor to Erich Leinsdorf, he attained the pinnacle of his career. No previous conductor had headed two top-ten US orchestras simultaneously. It was a condition of his Boston position that he could continue to work in Pittsburgh with the orchestra that he had headed since 1952. Born as Hans Wilhelm Steinberg in Cologne on 1 August 1899, he studied at the local conservatory with the conductor Hermann Abendroth and the pianist Lazzaro Uzielli, a Clara Schumann pupil. On graduating in 1920 he became Otto Klemperer's assistant at the Cologne opera house. In 1929 he was appointed music director in Frankfurt. Relieved of his post by the Nazis in 1933, he conducted concerts in Frankfurt and Berlin under the auspices of the Jewish Cultural League before emigrating to Palestine in 1936 to take over the Palestine Orchestra (now Israel Philharmonic Orchestra). At Toscanini's invitation he went to the United States in 1938 to assist in forming and training the new NBC Symphony Orchestra. In 1945 he assumed the music directorship of the Buffalo Philharmonic, where he liked to refer to himself as InchBuffalo BillInch. The Steinberg/Boston collaboration with RCA was unfortunately ill-fated and short-lived. Not because of the repertoire, but plummeting sales and spiraling costs plaguing the American recording industry in general persuaded RCA to let it's contract with the Boston Symphony lapse after 52 years' association. Gramophone magazine's Peter Quantrill claimed in 2018 that Steinberg was Inchthe most under-recorded of great conductors in the second half of the last century.Inch In 2004 the critic Richard Freed wrote of the Schubert Ninth (CD 1) and Bruckner Sixth (CD 2) Symphonies InchBoth [are] vital and inspiring performances, free of the monumentalizing all too often inflicted on such m
![Koussevitzky / Boston Symphony Orchestra - Serge Koussevitzky Conducts - COMPACT DISCS [CD]](https://pisces.bbystatic.com/image2/BestBuy_US/images/products/faa0abd5-dfe2-4083-beb3-06ab0bad0521.jpg;maxHeight=422;maxWidth=264?format=webp)
Koussevitzky / Boston Symphony Orchestra - Serge Koussevitzky Conducts [COMPACT DISCS] date 01/01/2004
![Foertsch - Sacred Ctos & Cantatas - COMPACT DISCS [CD]](https://pisces.bbystatic.com/image2/BestBuy_US/images/products/9d0c4fd4-38e7-48f7-8c5e-e0361f995a23.jpg;maxHeight=422;maxWidth=264?format=webp)
Gottorf Castle in Schleswig is not only one of Schleswig-Holstein's most important architectural monuments but also a culturally significant site inasmuch as it was within it's walls that the chapel masters of the local court ensemble once exercised their duties. Following Vol. 1 and it's sacred cantatas by Augustin Pfleger our new series featuring Music for Gottorf Castle continues with Vol. 2 here the WESER-RENAISSANCE ensemble under Manfred Cordes turns to cantatas and sacred concertos by Johann Philipp Förtsch, who was the Gottorf chapel master during 1680-84 and one of the particularly colorful musical personalities of his time. As an opera singer, librettist, and composer, Förtsch was a pioneer in the field of the German-language opera (with the Hamburg Opera House, founded in 1678, forming it's center). Any attempt to do justice to Förtsch's artistic multifacetedness would have to highlight three aspects his work in various genres for court performance, the transfer of his opera experience to sacred music, and his work with sacred songs. Splendid compositions featuring all sorts of different forms open and conclude this recording; these were works in which the court trumpeters were called on to participate. Such tone color was also a must for InchNun danket alle GottInch (set to a biblical text from the Book of Sirach) a court composition in honor of the heavenly king and crowned with an alleluia. Tonal magic of a special kind results when this work is performed in it's original setting. The Gottorf Castle Church, it's interior so richly endowed with wood carvings, hardly produces echo effects, so that even the rich string part remains transparent into it's middle voices, and over it the soft, baroque trumpet sound unfolds in all it's glory.
![NBC Symphony Orchestra - Complete Symphonies & Selected Overtures - COMPACT DISCS [CD]](https://pisces.bbystatic.com/image2/BestBuy_US/images/products/f3ec5c29-1c7d-4871-9c75-ba9bda3165f8.jpg;maxHeight=422;maxWidth=264?format=webp)
New 2013 digital transfers of Toscanini's 1939 legendary Beethoven cycle in the best possible sound! The previous edition of this set was one of Music & Arts all time best sellers. This new edition has been meticulously re-mastered by Snyder in 2013.
Specs
Be the first to ask a question.
We’ll try to get your question answered within 24 hours by a Best Buy customer or brand representative.