This legendary film from Soviet director Elem Klimov is a senses-shattering plunge into the dehumanizing horrors of war. As Nazi forces encroach on his small village in Belorussia, teenage Flyora (Alexei Kravchenko, in a searing depiction of anguish) eagerly joins the Soviet resistance. Rather than the adventure and glory he envisioned, what he finds is a waking nightmare of unimaginable carnage and cruelty rendered with a feverish, otherworldly intensity by Klimov's subjective camera work and expressionistic sound design. Nearly blocked from being made by Soviet censors, who took seven years to approve it's script, Come and See is perhaps the most visceral, impossible-to-forget antiwar film ever made.
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This legendary film from Soviet director Elem Klimov is a senses-shattering plunge into the dehumanizing horrors of war. As Nazi forces encroach on his small village in Belorussia, teenage Flyora (Alexei Kravchenko, in a searing depiction of anguish) eagerly joins the Soviet resistance. Rather than the adventure and glory he envisioned, what he finds is a waking nightmare of unimaginable carnage and cruelty rendered with a feverish, otherworldly intensity by Klimov's subjective camera work and expressionistic sound design. Nearly blocked from being made by Soviet censors, who took seven years to approve it's script, Come and See is perhaps the most visceral, impossible-to-forget antiwar film ever made.

At one time the longest-running Broadway musical, My Fair Lady was adapted by Alan Jay Lerner and Frederick Loewe from the George Bernard Shaw comedy Pygmalion. Outside Covent Garden on a rainy evening in 1912, disheveled cockney flower girl Eliza Doolittle (Audrey Hepburn) meets linguistic expert Henry Higgins (Rex Harrison). After delivering a musical tirade against Inchverbal class distinction,Inch Higgins tells his companion Colonel Pickering (Wilfred Hyde-White) that, within six months, he could transform Eliza into a proper lady, simply by teaching her proper English. The next morning, face and hands freshly scrubbed, Eliza presents herself on Higgins' doorstep, offering to pay him to teach her to be a lady. InchIt's almost irresistible,Inch clucks Higgins. InchShe's so deliciously low. So horribly dirty.Inch He turns his mission into a sporting proposition, making a bet with Pickering that he can accomplish his six-month miracle to turn Eliza into a lady. This is one of the all-time great movie musicals, featuring classic songs and the legendary performances of Harrison, repeating his stage role after Cary Grant wisely turned down the movie job, and Stanley Holloway as Eliza's dustman father. Julie Andrews originated the role of Eliza on Broadway but producer Jack Warner felt that Andrews, at the time unknown beyond Broadway, wasn't bankable; Hepburn's singing was dubbed by Marni Nixon, who also dubbed Natalie Wood in West Side Story (1961). Andrews instead made Mary Poppins, for which she was given the Best Actress Oscar, beating out Hepburn. The movie, however, won Best Picture, Best Director, Best Actor for Harrison, and five other Oscars, and it remains one of the all-time best movie musicals.

Screen legends Barbra Streisand and Robert Redford make movie magic as the captivating star-crossedlovers, Hubbell Gardiner and Katie Morosky. Theirs is a classic love story sparked by the attraction of opposites, played out against the backdrop of American life during times of foreign war, domestic prosperity and McCarthy-era paranoia in Hollywood. Winner of two 1974 Academy Awards(r) (Best Song InchThe Way We WereInch and Best Score), this special 25th Anniversary Edition of the THE WAY WE WERE has been digitally remastered so you can enjoy this romantic epic the way it was meant to be seen and heard.
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It: 2-film Collection (DVD Special Edit