
Brilliant's critically acclaimed Dussek sonata cycle continues with a pairing of early and late works. Viviana Sofronitsky, daughter of the great Russian pianist Vladimir Sofronitsky, followed in her father's footsteps by becoming a 'formidable pianist' (Fanfare). Early years in Russia were followed by a move to the United States to study early music at Oberlin Conservatory and further studies in fortepiano and harpsichord at the Royal Conservatory in The Hague. An active performing career across Europe - from Leipzig and Utrecht to Oslo and London - included competition prizes at the Bach Tage Berlin and the Musica Antiqua competition in Bruges. Her discography includes solo music by Schubert and the complete piano concertos of Mozart, which drew praise for her 'superb articulation' in Fanfare. As on those earlier albums she plays a modern fortepiano by Paul McNulty, based on a Viennese model by Anton Walter, for these new recordings of sonatas by the Czech-born contemporary of Beethoven, Johann Ladislaus Dussek. The three sonatas gathered under Opus 9 are arrangements of works originally conceived for piano and violin most of the violin's melody line was originally doubled by the right-hand part of the piano, making the transformation from chamber to solo work seamless and straightforward, and the character of these late-18th-century works corresponds to similarly conceived violin sonatas by Mozart and Beethoven, where the spotlight falls on the keyboard. So it does in a quite different fashion in the penultimate piano sonata by Dussek, Op.75, which is cast in an early-Romantic vein. An expansive first movement is led by a gentle, exploratory opening melody which fractures and multiplies into passionate figuration across the entire range of the keyboard, and back again the journey from Beethoven to Schubert in a nutshell. This is followed by a stately, minuet-like
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Brilliant's critically acclaimed Dussek sonata cycle continues with a pairing of early and late works. Viviana Sofronitsky, daughter of the great Russian pianist Vladimir Sofronitsky, followed in her father's footsteps by becoming a 'formidable pianist' (Fanfare). Early years in Russia were followed by a move to the United States to study early music at Oberlin Conservatory and further studies in fortepiano and harpsichord at the Royal Conservatory in The Hague. An active performing career across Europe - from Leipzig and Utrecht to Oslo and London - included competition prizes at the Bach Tage Berlin and the Musica Antiqua competition in Bruges. Her discography includes solo music by Schubert and the complete piano concertos of Mozart, which drew praise for her 'superb articulation' in Fanfare. As on those earlier albums she plays a modern fortepiano by Paul McNulty, based on a Viennese model by Anton Walter, for these new recordings of sonatas by the Czech-born contemporary of Beethoven, Johann Ladislaus Dussek. The three sonatas gathered under Opus 9 are arrangements of works originally conceived for piano and violin most of the violin's melody line was originally doubled by the right-hand part of the piano, making the transformation from chamber to solo work seamless and straightforward, and the character of these late-18th-century works corresponds to similarly conceived violin sonatas by Mozart and Beethoven, where the spotlight falls on the keyboard. So it does in a quite different fashion in the penultimate piano sonata by Dussek, Op.75, which is cast in an early-Romantic vein. An expansive first movement is led by a gentle, exploratory opening melody which fractures and multiplies into passionate figuration across the entire range of the keyboard, and back again the journey from Beethoven to Schubert in a nutshell. This is followed by a stately, minuet-like

Around the Fur the follow-up to Deftones' passionate, aggressive Adrenaline, sees the California quartet expanding on the sheer rage of their earlier work, adding new, more sinister shades to their already extreme sound. The opening InchMy Own Summer (Shove It),Inch serves as an introduction to the album's sonic theme sinewy guitars and eerie whispers alternate with fast, violent crunch. Sepultura's Max Cavallero contributes guitar and vocals to InchHeadup,Inch while InchMXInch finds singer Chino trading off vocal lines with Annalynn Cunningham, (wife of Deftones' drummer Abe) in an acerbic take on the rock star mentality. Vocal acrobat Moreno attacks a variety of styles his breathy, psychotic recitations sound downright industrial, while the album's calmer, more brooding moments show his gift for haunting melody. Behind him, guitarist Stephen Carpenter's heavy wall of sound is astoundingly muscular, yet inspiringly agile. When Deftones' hellish fury hits full tilt, as it always does on this album, Moreno's voice erupts into screams which are best described as otherworldly, transforming this intense musical firestorm into a hurtling juggernaut of aggression. This LP version comes pressed on 180 gram vinyl. Album Tracks 1. My Own Summer (Shove It) 2. Lhabia 3. Mascara 4. Around the Fur 5. Rickets 6. Be Quiet and Drive (Far Away) 7. Lotion 8. Dai the Flu 9. Headup 10. MX

Limited 180 gram vinyl LP pressing. Purple Rain is the sixth studio album by Prince, the first to feature his backing band The Revolution, and is the soundtrack album to the 1984 film of the same name. Purple Rain is regularly ranked among the best albums in music history, and is widely regarded as Prince's magnum opus. Time magazine ranked it the 15th greatest album of all time in 1993, and it placed 18th on VH1's Greatest Rock and Roll Albums of All Time countdown. Rolling Stone ranked it the second-best album of the 1980s and 76th on their list of the 500 Greatest Albums of All Time. The first two singles from Purple Rain, InchWhen Doves CryInch and InchLet's Go CrazyInch, topped the US singles charts, and were hits around the world, while the title track went to number two on the Billboard Hot 100. The album was certified thirteen-times platinum (diamond) by the RIAA. Album Tracks 1. Let's Go Crazy 2. Take Me with U 3. The Beautiful Ones 4. Computer Blue 5. Darling Nikki 1. When Doves Cry 2. I Would Die 4 U 3. Baby I'm a Star 4. Purple Rain

Limited splatter colored vinyl LP pressing. Meteora, Linkin Park's ground-breaking second album, was released in March 2003 and includes the global hit singles InchSomewhere I BelongInch, InchFaintInch, InchNumbInch, InchBreaking The HabitInch and InchFrom The Inside.Inch It has sold over 8 million copies in the US and has been certified multi-platinum, platinum, or gold in 15 countries.