Elori Saxl - Drifts and Surfaces - VINYL LP
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With Drifts and Surfaces, American experimental electronic composer Elori Saxl flourishes quietly in present-tense synthesis. The three-piece set originates from three different commissions, each influenced by her experience of living on Madeline Island, a small island in Lake Superior, and unified by shared themes that explore how technology has come to define our daily life the blurring of physical and digital worlds, the compression and datafication of human experience, and the paradox of everyday stasis and constant change. Saxl continues to utilize chamber-music ensemble alongside digital experimentation, deeply tuning into textural emotion. Madeline Island marks the last land mass before the frigid, all-consuming waters of Lake Superior. InchI was trying to capture the sense of disappearing horizon, lostness, awe, and dark power that feels really innate to Lake Superior,Inch says Saxl.Inch It is also constantly changing-drifts change directions, water becomes ice, ice breaks apart and becomes waves. There is constant movement from drifts to surfaces, surfaces to drifts.Inch While her 2021 breakthrough LP, The Blue of Distance, worked with recordings from the lake itself, Saxl's source material here comes primarily from live percussion and other live instrumentation. In InchDrifts IInch and InchDrifts II,Inch commissioned by Chicago's Third Coast Percussion and Brooklyn's Tigue, percussion parts intertwine like shifting bodies of water with Saxl transforming drum rolls into expansive chords. InchSurfaces,Inch commissioned by the Guggenheim Museum for the 2022 Alex Katz retrospective, features strings, saxophone, and glass marimba. Saxl processes acoustic instruments through various forms of digital manipulation that cause distortion and deterioration, mirroring the pixelated and lossy experience of life in the digital age. Drifts and Surfaces offers a snapshot o
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VINYLSpecifications
- GenreDance and electronicDescriptionWith Drifts and Surfaces, American experimental electronic composer Elori Saxl flourishes quietly in present-tense synthesis. The three-piece set originates from three different commissions, each influenced by her experience of living on Madeline Island, a small island in Lake Superior, and unified by shared themes that explore how technology has come to define our daily life the blurring of physical and digital worlds, the compression and datafication of human experience, and the paradox of everyday stasis and constant change. Saxl continues to utilize chamber-music ensemble alongside digital experimentation, deeply tuning into textural emotion. Madeline Island marks the last land mass before the frigid, all-consuming waters of Lake Superior. InchI was trying to capture the sense of disappearing horizon, lostness, awe, and dark power that feels really innate to Lake Superior,Inch says Saxl.Inch It is also constantly changing-drifts change directions, water becomes ice, ice breaks apart and becomes waves. There is constant movement from drifts to surfaces, surfaces to drifts.Inch While her 2021 breakthrough LP, The Blue of Distance, worked with recordings from the lake itself, Saxl's source material here comes primarily from live percussion and other live instrumentation. In InchDrifts IInch and InchDrifts II,Inch commissioned by Chicago's Third Coast Percussion and Brooklyn's Tigue, percussion parts intertwine like shifting bodies of water with Saxl transforming drum rolls into expansive chords. InchSurfaces,Inch commissioned by the Guggenheim Museum for the 2022 Alex Katz retrospective, features strings, saxophone, and glass marimba. Saxl processes acoustic instruments through various forms of digital manipulation that cause distortion and deterioration, mirroring the pixelated and lossy experience of life in the digital age. Drifts and Surfaces offers a snapshot oArtistElori SaxlTitleDrifts and SurfacesFormatVINYLLabelWestern Vinyl
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With Drifts and Surfaces, American experimental electronic composer Elori Saxl flourishes quietly in present-tense synthesis. The three-piece set originates from three different commissions, each influenced by her experience of living on Madeline Island, a small island in Lake Superior, and unified by shared themes that explore how technology has come to define our daily life the blurring of physical and digital worlds, the compression and datafication of human experience, and the paradox of everyday stasis and constant change. Saxl continues to utilize chamber-music ensemble alongside digital experimentation, deeply tuning into textural emotion. Madeline Island marks the last land mass before the frigid, all-consuming waters of Lake Superior. InchI was trying to capture the sense of disappearing horizon, lostness, awe, and dark power that feels really innate to Lake Superior,Inch says Saxl.Inch It is also constantly changing-drifts change directions, water becomes ice, ice breaks apart and becomes waves. There is constant movement from drifts to surfaces, surfaces to drifts.Inch While her 2021 breakthrough LP, The Blue of Distance, worked with recordings from the lake itself, Saxl's source material here comes primarily from live percussion and other live instrumentation. In InchDrifts IInch and InchDrifts II,Inch commissioned by Chicago's Third Coast Percussion and Brooklyn's Tigue, percussion parts intertwine like shifting bodies of water with Saxl transforming drum rolls into expansive chords. InchSurfaces,Inch commissioned by the Guggenheim Museum for the 2022 Alex Katz retrospective, features strings, saxophone, and glass marimba. Saxl processes acoustic instruments through various forms of digital manipulation that cause distortion and deterioration, mirroring the pixelated and lossy experience of life in the digital age. Drifts and Surfaces offers a snapshot o

The PBS series Earth Focus delves into the intricate connections betweenSouthern California's natural landscapes and urban development. Eachepisode explores a specific location, including the Los Angeles River, DiabloCanyon Nuclear Power Plant, Joshua Tree National Park, and the MojaveDesert. The series' soundtrack, composed by Elori Saxl, underscores theemotional narratives of these places, emphasizing the interplay betweenhumans and nature and the impact of human-constructed environments.Drawing inspiration from artists like Alice Coltrane and Hiroshi Yoshimura,Saxl craed the music using digitally manipulated recordings of water andwind, analog synthesizers, MIDI samples, and processed woodwindsperformed by Stuart Bogie (clarinet, bass clarinet, flute). This unique blend ofsounds evokes the musical heritage of Los Angeles and the overall ambianceof wind, sun, and Southern California culture. The music loosely referencesthe psychedelic and dreamlike sounds oen associated with Los Angeles'past and present. However, it incorporates a modern twist, blending real andsynthetic elements to reflect the contemporary and increasingly palpablesense of precariousness surrounding the human-built landscape throughoutLos Angeles and it's neighboring regions.

Combining processed recordings of wind and water with analog synthesizers and chamber orchestra, Elori Kramer's The Blue of Distance is an audio dissertation on the role technology plays in our relationships to geography and nature, unspooling into an examination of memory and longing across seven sections that layer filmic minimalism over churning electronic soundbeds. Half of the suite was written in the Adirondack mountains during summer amid lakes, rivers, and moss-laden forest floors, while the other half was conceived on a frozen Lake Superior island in deep winter, creating a subtextual dialogue between the two extreme settings. Kramer, who was born in 1990 and grew up alongside the internet, uses her music to explore nature in the actual and the virtual world, through direct experience and facsimile alike, focussing and blurring the line between the two. InchLooking back at my videos of that summer- which is where the processed audio came from- I tried to remember what it had felt like to be there,Inch she recalls, Inchthinking about questions of reality versus imagination; physical versus digital; and the ways in which memory shifts through our minds and technology.Inch The title The Blue of Distance was derived from Rebecca Solnit's book A Field Guide to Getting Lost, referring to the phenomenon of faraway mountains appearing blue due to light particles getting lost over distance. InchIf we were to go up to the mountains that appear blue from far away, we would see that they weren't actually that color.Inch she says. InchThis beauty is made possible because of their distance,Inch much in the same way that the splendor of a rich season is only fully realized in the throes of a bleak one, and the joy of an event can only be felt when it has long since been consigned to remembrance.
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Schuster / Joachim - String Quartet [COMPACT DISCS] date 11/17/2017
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