Gavin Bryars - In La - VINYL LP
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- Details
- Genre: Instrumental
- Description: Vinyl LP pressing. In Là is the outcome of the collaboration between Gavin Bryars and the Italian visual artist Massimo Bartolini. Staged as a large-scale installation at the Luigi Pecci Centre for Contemporary Art in Prato, Italy, during the autumn of 2022, Bartolini transformed scaffolding into pipe organ bars, suspended from the ceiling across seven rooms of the museum as the central piece for his retrospective exhibition. It is the music played by these singular organs, composed by Bryars, that makes up the two sides of Alga Marghen's LP edition. Here is a compositional practice by Gavin Bryars returning to some of the experimental and conceptual territory that defined his work during the early 1970s, prior to the composition of seminal works like InchThe Sinking of The TitanicInch and InchJesus' Blood Never Failed Me YetInch. In Là presents the composer working across the vast space of the installation, with sounds physically spread in each of the museum's rooms and placed in careful consideration of the space continuity, while at the same time never fulling being experienced in it's totality by the listener.
- Artist: Gavin Bryars
- Title: In La
- Format: VINYL
- Label: Alga Marghen
- Release Date: 07/07/2023
- Genre: Instrumental
- Other
- Product Name: Gavin Bryars - In La - VINYL LP
- UPC: 769791983977
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Vinyl LP pressing. In Là is the outcome of the collaboration between Gavin Bryars and the Italian visual artist Massimo Bartolini. Staged as a large-scale installation at the Luigi Pecci Centre for Contemporary Art in Prato, Italy, during the autumn of 2022, Bartolini transformed scaffolding into pipe organ bars, suspended from the ceiling across seven rooms of the museum as the central piece for his retrospective exhibition. It is the music played by these singular organs, composed by Bryars, that makes up the two sides of Alga Marghen's LP edition. Here is a compositional practice by Gavin Bryars returning to some of the experimental and conceptual territory that defined his work during the early 1970s, prior to the composition of seminal works like InchThe Sinking of The TitanicInch and InchJesus' Blood Never Failed Me YetInch. In Là presents the composer working across the vast space of the installation, with sounds physically spread in each of the museum's rooms and placed in careful consideration of the space continuity, while at the same time never fulling being experienced in it's totality by the listener.
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