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2LP 200 gram super-heavyweight vinyl. 'Robert (Fripp) turned up with a truck load of amps and effects, two great big stacks including delay units with a 76 second delay and played and played and played. ' Though not intended as such, in some respects Leviathan and it's creators represent between them one version of the history of British electronic music. In 1973, the curiosity of a significant chunk of the King Crimson and Roxy Music fan bases, along with an attractive price, propelled Fripp & Eno's No Pussyfooting into many thousands of homes where no such recording had previously registered a single sleeve, much less a gatefold. By the early 80s Dave Ball & Marc Almond's Soft Cell were at the forefront of a wave of synth based bands who dominated the singles and albums charts. In the 1990s, The Grid - Dave Ball (again) & Richard Norris formed a key act in what was sometimes referred to as Electronica, sometimes herded under the (almost meaningless) InchDance musicInch category, occasionally (equally inaccurately/narrowly) described as InchambientInch music, the struggles of music industry name-taggers never quite catching either the breadth of the music involved, nor recognising - until much later - the scope of it's influence. The Grid's success - a number of hit singles and albums, including the million selling InchSwamp ThingInch, world tours, remixes for Eno, Pet Shop Boys, Yello, Sylvian/Fripp - could find a ready audience among those for whom, by now, electronic music was part of the everyday musical fabric and commonality of experience, even as it continued to evolve and develop as a form in itself. The Grid were managed at the time (1992) by David Enthoven who had also managed King Crimson and Roxy Music from inception for many years and by now with a Sylvian/Fripp remix among their producing credits, it is no surprise that the duo and Fripp were keen to se

Around the Fur the follow-up to Deftones' passionate, aggressive Adrenaline, sees the California quartet expanding on the sheer rage of their earlier work, adding new, more sinister shades to their already extreme sound. The opening InchMy Own Summer (Shove It),Inch serves as an introduction to the album's sonic theme sinewy guitars and eerie whispers alternate with fast, violent crunch. Sepultura's Max Cavallero contributes guitar and vocals to InchHeadup,Inch while InchMXInch finds singer Chino trading off vocal lines with Annalynn Cunningham, (wife of Deftones' drummer Abe) in an acerbic take on the rock star mentality. Vocal acrobat Moreno attacks a variety of styles his breathy, psychotic recitations sound downright industrial, while the album's calmer, more brooding moments show his gift for haunting melody. Behind him, guitarist Stephen Carpenter's heavy wall of sound is astoundingly muscular, yet inspiringly agile. When Deftones' hellish fury hits full tilt, as it always does on this album, Moreno's voice erupts into screams which are best described as otherworldly, transforming this intense musical firestorm into a hurtling juggernaut of aggression. This LP version comes pressed on 180 gram vinyl. Album Tracks 1. My Own Summer (Shove It) 2. Lhabia 3. Mascara 4. Around the Fur 5. Rickets 6. Be Quiet and Drive (Far Away) 7. Lotion 8. Dai the Flu 9. Headup 10. MX

Ye's BULLY has arrived as a true global moment, delivering immediate impact across streaming, charts, radio, and popular culture. With a global stadium tour underway - including two nights at SoFi Stadium in Los Angeles, major international dates at Jawaharlal Nehru Stadium in New Delhi and Atatürk Olympic Stadium in Istanbul, and a three-night headlining run at Wireless Festival in London - BULLY is shaping up as one of the defining releases of 2026. Album Tracks 1. Preacher Man 2. Beauty and the Beast 3. Last Breath 4. White Lines 5. I Can't Wait 6. Bully 7. All the Love 8. This One Here 9. Highs and Lows 10. Mission Control 11. Circles 12. Damn 13. Losing Your Mind

Double vinyl LP pressing. 2021 . Billie Eilish releases her highly anticipated sophomore album, Happier Than Ever. Continuing the tradition from her multi-Grammy Award winning, record-breaking debut, When We All Fall Alseep, Where Do We Go?, this 16-track studio album features no outside writers or producers and was written by Billie and her brother Finneas who produced it in LA. Includes hits singles, Therefore I Am, and My Future. Album Tracks 1. Getting Older 2. I Didn't Change My Number 3. Billie Bossa Nova 4. My Future 5. Oxytocin 6. Goldwing 7. Lost Cause 8. Halley's Comet 9. Not My Responsibility 10. Overheated 11. Everybody Dies 12. Your Power 13. Nda 14. Therefore I Am 15. Happier Than Ever 16. Male Fantasy