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Handel,G. / Arditti,Jake / Cummings,Laurence - Handel: Agrippina - COMPACT DISCS [CD]

SKU: 10611036

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Written in Venice in 1709, Handel's Agrippina is one of his most impressive works and his first truly resounding success as an opera composer. This recording was made at the Göttingen Handel Festival in 2015 and features Ulrike Schneider in the title role of Rome's great female schemer. The Festspiel Orchester Göttingen delivers an outstanding performance under the sure direction of Laurence Cummings.

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  • Genre
    Classical
    Description
    Written in Venice in 1709, Handel's Agrippina is one of his most impressive works and his first truly resounding success as an opera composer. This recording was made at the Göttingen Handel Festival in 2015 and features Ulrike Schneider in the title role of Rome's great female schemer. The Festspiel Orchester Göttingen delivers an outstanding performance under the sure direction of Laurence Cummings.
    Artist
    HANDEL,G. / ARDITTI,JAKE / CUMMINGS,LAURENCE
    Title
    Handel: Agrippina
    Format
    CD
    Label
    Accent Records
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Written in Venice in 1709, Handel's Agrippina is one of his most impressive works and his first truly resounding success as an opera composer. This recording was made at the Göttingen Handel Festival in 2015 and features Ulrike Schneider in the title role of Rome's great female schemer. The Festspiel Orchester Göttingen delivers an outstanding performance under the sure direction of Laurence Cummings.

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For a long time, a large portion of Handel's early opera Rodrigo was thought to have been lost. It was back in 1707 in Rome that George Frideric Handel wrote Rodrigo, but it was not until 1974 that the printed libretto turned up again, and nine years later the third act was found in the Earl of Shaftesbury's Handel collection. On August 29, 1984, finally, the work was revived during the Innsbruck Festival of Early Music, and in 2019 it's on the programme at the Göttingen International Handel Festival. The opera narrates a freely adapted version of the end to the regency of the Last Visigoth King Roderich. In the libretto by Francesco Silvani, however, the reason behind it is less the lust for power on the part of his opponents than the thirst for vengeance of his spurned mistress.

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