Happy the Man - Crafty Hands - COMPACT DISCS [CD]
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As remarkable as Happy the Man's self-titled debut album was, it was only the beginning; an appetizer for an even more sumptuous artistic banquet. Happy the Man's sonic vocabulary evolved by the time they returned to the studio with new ideas, sharper execution, and an even clearer sense of identity. 1978's sophomore album 'Crafty Hands' is more rhythmically intricate, placing a greater emphasis on counterpoint and complexity. Despite the acrobatic interplay amidst the complicated time signatures, the accessibility of the music never suffers. The rich, analog warmth of the debut album remains, but with more polished production and a crisp mix that emphasizes the tight arrangements. And like Happy the Man's debut album, 'Crafty Hands' eschews the prog rock cliche of a Inchconcept album,Inch choosing instead to offer eight mini-epics that say more in a few short minutes than most of their genre brethren would say in their entire careers. If 'Happy the Man' was the band introducing itself-an intricate yet cinematic statement that fused progressive rock's classical leanings with jazz fusion's fluidity-then 'Crafty Hands' was the sound of that vision sharpening into focus. Leaner, more direct, yet paradoxically more complex, 'Crafty Hands' built upon the successes of their debut while showcasing an increased confidence in their ability to push rhythmic and harmonic boundaries. Arguably their finest hour, the album featured only one vocal track and ranks as one of the most important in U.S. progressive rock history. Happy the Man celebrates the reclamation of their rights to their classic Arista albums with a new band-approved remasters by Ray Staff. Features a 32-page booklet with a new 5000-word liner notes essay by Syd Schwartz and a 3000-word piece by Happy the Man bassist Rick Kennell. Album Tracks 1. Service with a Smile 2. Morning Sun 3. Ibby It Is 4. Ste
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- GenreRockDescriptionAs remarkable as Happy the Man's self-titled debut album was, it was only the beginning; an appetizer for an even more sumptuous artistic banquet. Happy the Man's sonic vocabulary evolved by the time they returned to the studio with new ideas, sharper execution, and an even clearer sense of identity. 1978's sophomore album 'Crafty Hands' is more rhythmically intricate, placing a greater emphasis on counterpoint and complexity. Despite the acrobatic interplay amidst the complicated time signatures, the accessibility of the music never suffers. The rich, analog warmth of the debut album remains, but with more polished production and a crisp mix that emphasizes the tight arrangements. And like Happy the Man's debut album, 'Crafty Hands' eschews the prog rock cliche of a Inchconcept album,Inch choosing instead to offer eight mini-epics that say more in a few short minutes than most of their genre brethren would say in their entire careers. If 'Happy the Man' was the band introducing itself-an intricate yet cinematic statement that fused progressive rock's classical leanings with jazz fusion's fluidity-then 'Crafty Hands' was the sound of that vision sharpening into focus. Leaner, more direct, yet paradoxically more complex, 'Crafty Hands' built upon the successes of their debut while showcasing an increased confidence in their ability to push rhythmic and harmonic boundaries. Arguably their finest hour, the album featured only one vocal track and ranks as one of the most important in U.S. progressive rock history. Happy the Man celebrates the reclamation of their rights to their classic Arista albums with a new band-approved remasters by Ray Staff. Features a 32-page booklet with a new 5000-word liner notes essay by Syd Schwartz and a 3000-word piece by Happy the Man bassist Rick Kennell. Album Tracks 1. Service with a Smile 2. Morning Sun 3. Ibby It Is 4. SteArtistHappy the ManTitleCrafty HandsFormatCDLabelIconoclassic
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As remarkable as Happy the Man's self-titled debut album was, it was only the beginning; an appetizer for an even more sumptuous artistic banquet. Happy the Man's sonic vocabulary evolved by the time they returned to the studio with new ideas, sharper execution, and an even clearer sense of identity. 1978's sophomore album 'Crafty Hands' is more rhythmically intricate, placing a greater emphasis on counterpoint and complexity. Despite the acrobatic interplay amidst the complicated time signatures, the accessibility of the music never suffers. The rich, analog warmth of the debut album remains, but with more polished production and a crisp mix that emphasizes the tight arrangements. And like Happy the Man's debut album, 'Crafty Hands' eschews the prog rock cliche of a Inchconcept album,Inch choosing instead to offer eight mini-epics that say more in a few short minutes than most of their genre brethren would say in their entire careers. If 'Happy the Man' was the band introducing itself-an intricate yet cinematic statement that fused progressive rock's classical leanings with jazz fusion's fluidity-then 'Crafty Hands' was the sound of that vision sharpening into focus. Leaner, more direct, yet paradoxically more complex, 'Crafty Hands' built upon the successes of their debut while showcasing an increased confidence in their ability to push rhythmic and harmonic boundaries. Arguably their finest hour, the album featured only one vocal track and ranks as one of the most important in U.S. progressive rock history. Happy the Man celebrates the reclamation of their rights to their classic Arista albums with a new band-approved remasters by Ray Staff. Features a 32-page booklet with a new 5000-word liner notes essay by Syd Schwartz and a 3000-word piece by Happy the Man bassist Rick Kennell. Album Tracks 1. Service with a Smile 2. Morning Sun 3. Ibby It Is 4. Ste
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Selected as one of Rolling Stone magazine's 50 greatest progressive rock albums of all time, Happy the Man's self-titled debut, released in 1977 on Arista Records, is one of the most fully realized progressive rock albums ever recorded on American soil. It was neither a direct response to it's British forebears nor an attempt to fit within the evolving commercial American landscape. Instead, it was something rarer a singular work of progressive music that existed entirely on it's own terms. Though they wouldn't know it at the time, 'Happy the Man' also became the bar against which nearly all American prog rock would be measured in the decades that followed. Their sound wasn't just symphonic-it was cinematic, sophisticated, and distinctly American, weaving jazz fusion and impressionistic harmony into prog rock's DNA. Eschewing mythic storytelling and grandiose concepts, their primarily instrumental music instead unfolded like a rich tapestry of harmonies and interwoven melodies, shifting with the same organic unpredictability as a jazz improvisation yet executed with the precision of a chamber ensemble. The music was both cerebral and joyous, technically demanding yet full of human warmth. With a line-up of Stanley Whitaker (Guitars, Vocals), Kit Watkins (Keyboards), Frank Wyatt (Sax, Flute, Keyboards), Rick Kennell (Bass) and Mike Beck (Drums), the band recorded their first album under the production supervision of Ken Scott (who had worked with Supertramp and David Bowie). Happy the Man celebrates the reclamation of their rights to their classic Arista albums with a new band-approved remasters by Ray Staff. Features a 28-page booklet with a new 6000-word liner notes essay by Syd Schwartz. Album Tracks 1. Starborne 2. Stumpy Meets the Firecracker in Stencil Forest 3. Upon the Rainbow (Befrost) 4. Mr. Mirror's Reflection on Dreams 5. Carousel 6. Knee B
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Digitally re-mastered edition of the classic 1977 self- titled debut album by American Progressive Rock group Happy the Man. Formed in Harrisonburg, Virginia in 1973, the band was influenced by British progressive groups such as Genesis and King Crimson. The band came to the attention of Arista Records, securing a deal the same year. Happy the Man recorded their first album under the production supervision of Ken Scott (who had worked with Supertramp and David Bowie). Featuring excellent pieces such as 'Mr. Mirror's Reflection on Dreams' and 'New York Dreams Suite', the album ranks as one of the great American Progressive rock albums. This Esoteric Recordings reissue has been newly re-mastered and features a booklet that fully restores all original album artwork with a new essay. Album Tracks 1. Starborne 2. Stumpy Meets the Firecracker in Stencil Forest 3. Upon the Rainbow (Befrost) 4. Mr. Mirror's Reflection on Dreams 5. Carousel 6. Knee Bitten Nymphs in Limbo 7. On Time As a Helix of Precious Laughs 8. Hidden Moods 9. New York Dreams Suite
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