Hide - Interior Terror - VINYL LP
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Hide's third album, Interior Terror further abandons traditional concepts of song structure in favor of splintered rhythms and fevered, immediate . Expanding on previous themes of autonomy and empowerment, Interior Terror addresses and questions the corporeal and immaterial body in a physical and metaphysical sense. Turning to the dread inside, reflecting on the world around us, Hide gives voice to the power of destruction as a catalyst for hope, and to the collective experiences of those who've come before us as a wellspring of our own power. Raw vocal delivery of mantra-like prose issued forth yields a raging, plaintive wail that lulls, mocks, questions, proclaims and decries. A dearth of collected field recordings give way to more fluid arrangements while retaining a scathing urgency. The result is minimal, spacious, and jarring; a distant knocking grown into the pulse of a hypnotic dirge, drones emerge from shards of decomposed sound, bending, seething their way through your body.InchDo Not Bow DownInch loops the driving, off kilter rhythm of a skipping Depeche Mode CD with the twisted trill of a sampled composition by quarter note pianist and composer Mildred Couper to produce a madly spinning otherworld where self-immolation serves as your most positive contribution to society. InchNightmareInch explodes, unrelenting; conflating time and space to the beat of repeated blows to the head. A reflection on perpetual suffering, generational traumas and the transformative action of . Title track InchInterior TerrorInch belies a new brand of body horror informed by the systemic enforcement of a contemporary Western gender binary, touching on experiences of dysphoria and disassociation. InchFearInch answers the question 'Where do cops come from' in the opening line 'Straight from God's cunt to the death cult', belittling the pathetic and repeated attempts of man to acc
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- GenreDance and electronicDescriptionHide's third album, Interior Terror further abandons traditional concepts of song structure in favor of splintered rhythms and fevered, immediate . Expanding on previous themes of autonomy and empowerment, Interior Terror addresses and questions the corporeal and immaterial body in a physical and metaphysical sense. Turning to the dread inside, reflecting on the world around us, Hide gives voice to the power of destruction as a catalyst for hope, and to the collective experiences of those who've come before us as a wellspring of our own power. Raw vocal delivery of mantra-like prose issued forth yields a raging, plaintive wail that lulls, mocks, questions, proclaims and decries. A dearth of collected field recordings give way to more fluid arrangements while retaining a scathing urgency. The result is minimal, spacious, and jarring; a distant knocking grown into the pulse of a hypnotic dirge, drones emerge from shards of decomposed sound, bending, seething their way through your body.InchDo Not Bow DownInch loops the driving, off kilter rhythm of a skipping Depeche Mode CD with the twisted trill of a sampled composition by quarter note pianist and composer Mildred Couper to produce a madly spinning otherworld where self-immolation serves as your most positive contribution to society. InchNightmareInch explodes, unrelenting; conflating time and space to the beat of repeated blows to the head. A reflection on perpetual suffering, generational traumas and the transformative action of . Title track InchInterior TerrorInch belies a new brand of body horror informed by the systemic enforcement of a contemporary Western gender binary, touching on experiences of dysphoria and disassociation. InchFearInch answers the question 'Where do cops come from' in the opening line 'Straight from God's cunt to the death cult', belittling the pathetic and repeated attempts of man to accArtistHideTitleInterior TerrorFormatVINYLLabelDais
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Hide's third album, Interior Terror further abandons traditional concepts of song structure in favor of splintered rhythms and fevered, immediate . Expanding on previous themes of autonomy and empowerment, Interior Terror addresses and questions the corporeal and immaterial body in a physical and metaphysical sense. Turning to the dread inside, reflecting on the world around us, Hide gives voice to the power of destruction as a catalyst for hope, and to the collective experiences of those who've come before us as a wellspring of our own power. Raw vocal delivery of mantra-like prose issued forth yields a raging, plaintive wail that lulls, mocks, questions, proclaims and decries. A dearth of collected field recordings give way to more fluid arrangements while retaining a scathing urgency. The result is minimal, spacious, and jarring; a distant knocking grown into the pulse of a hypnotic dirge, drones emerge from shards of decomposed sound, bending, seething their way through your body.InchDo Not Bow DownInch loops the driving, off kilter rhythm of a skipping Depeche Mode CD with the twisted trill of a sampled composition by quarter note pianist and composer Mildred Couper to produce a madly spinning otherworld where self-immolation serves as your most positive contribution to society. InchNightmareInch explodes, unrelenting; conflating time and space to the beat of repeated blows to the head. A reflection on perpetual suffering, generational traumas and the transformative action of . Title track InchInterior TerrorInch belies a new brand of body horror informed by the systemic enforcement of a contemporary Western gender binary, touching on experiences of dysphoria and disassociation. InchFearInch answers the question 'Where do cops come from' in the opening line 'Straight from God's cunt to the death cult', belittling the pathetic and repeated attempts of man to acc

How often, singer-songwriter Hayes Carll asks, speaking of his older material, Inchdoes someone get to go back in, change the rhythms, turn up guitars, shift the perspective of a lyric or the delivery of a vocal?Inch If you're one of contemporary Americana's most in-demand performers not often. However, a rare break in touring presented Carll with precisely that-an opportunity to revisit (and reimagine) some of the best and most beloved songs in his catalog. Enter the Alone Together Sessions. With songwriter-producer Darrell Scott behind the boards, Carll cut eleven gorgeous acoustic tracks, including a reworked version of 2008's InchDrunken Poet's Dream,Inch which, on this , features the legendary Ray Wylie Hubbard. For first-timers, the Alone Together Sessions work as a point of entry to Carll's songbook; for old fans, it's a delightful return to form.

2018's InchCastration AnxietyInch, the debut full-length from Chicago's Hide, presented an adept evolution in the journey of interdisciplinary artists Heather Gabel and Seth Sher. Trading in concrete and traditional songwriting and compositional structure for more challenging, stripped back, and cathartic arrangement, the duo ventured to reconfigure industrial music for a contemporary age. InchHell Is HereInch, Hide's 2019 sophomore full-length, sees this evolution progress even further. Using their previously established blueprint, Gabel and Sher poke and prod at the perception of musical context, and remind the listener that feelings of anxiety, pain, and discomfort are equally as important as those of resolution. Perhaps the strongest tool utilized here is the material's dichotomy between the abrasive and the sterile. Beneath the crushing noisy exterior, sparks the familiar human voice. Divorced from their caustic counterparts Gabel's vocals play a decisive role in cementing narrative for the material's uncompromising assault on the senses. Opening track InchChainsawInch immediately lays the groundwork for the excursion to come. Twisted, cold, and dry repetition soundtracks a one sided catcalling verbal assault. The theme of objectification carries through to the following track Inch999Inch with the use of a well-placed vocal sample that declares Inch... when you depersonalize another person... it seems to make it easier to do things you shouldn't do.Inch This sentiment is expertly echoed throughout the rest of InchHell Is HereInch and attempts to forcefully remind the listener of humanity's absurd and animalistic nature. Nearing the end of the punishing trek we find InchPainInch, which is arguably the record's most formidable use of space. The call and response nature of both the harsh percussive elements paired with the impending vocals effectively induces a deaf

Vinyl LP pressing. WRWTFWW Records is very happy to announce the official vinyl reissue of the highly sought-after Haruomi Hosono-produced Interior self-titled debut, originally released in 1982 on legendary tag Yen Records. Interior is Daisuke Hinata, Eiki Nonaka, Mitsuru Sawamura, and Tsukasa Betto. Their classic 1982 debut, produced by Yellow Magic Orchestra's Haruomi Hosono, is one of a kind - a very rare breed of feel-good ambient music blending instrumental synth-pop, soft electronic minimalism, and cozy sound design in the most heartwarming ways. It evokes the intimate pleasures of daydreaming in a hotel lobby, holding hands in a museum, or napping by the pool. It depicts the urban landscape as a caring environment, where simplicity and repetition is mind soothing and smile inducing. Interior takes you into an alternate reality, where nostalgic modernism makes the present time feel like the fondest memories.
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