Hide - Hell Is Here - VINYL LP
Reviews coming soon
About this product
2018's InchCastration AnxietyInch, the debut full-length from Chicago's Hide, presented an adept evolution in the journey of interdisciplinary artists Heather Gabel and Seth Sher. Trading in concrete and traditional songwriting and compositional structure for more challenging, stripped back, and cathartic arrangement, the duo ventured to reconfigure industrial music for a contemporary age. InchHell Is HereInch, Hide's 2019 sophomore full-length, sees this evolution progress even further. Using their previously established blueprint, Gabel and Sher poke and prod at the perception of musical context, and remind the listener that feelings of anxiety, pain, and discomfort are equally as important as those of resolution. Perhaps the strongest tool utilized here is the material's dichotomy between the abrasive and the sterile. Beneath the crushing noisy exterior, sparks the familiar human voice. Divorced from their caustic counterparts Gabel's vocals play a decisive role in cementing narrative for the material's uncompromising assault on the senses. Opening track InchChainsawInch immediately lays the groundwork for the excursion to come. Twisted, cold, and dry repetition soundtracks a one sided catcalling verbal assault. The theme of objectification carries through to the following track Inch999Inch with the use of a well-placed vocal sample that declares Inch... when you depersonalize another person... it seems to make it easier to do things you shouldn't do.Inch This sentiment is expertly echoed throughout the rest of InchHell Is HereInch and attempts to forcefully remind the listener of humanity's absurd and animalistic nature. Nearing the end of the punishing trek we find InchPainInch, which is arguably the record's most formidable use of space. The call and response nature of both the harsh percussive elements paired with the impending vocals effectively induces a deaf
Specifications
- GenreRockDescription2018's InchCastration AnxietyInch, the debut full-length from Chicago's Hide, presented an adept evolution in the journey of interdisciplinary artists Heather Gabel and Seth Sher. Trading in concrete and traditional songwriting and compositional structure for more challenging, stripped back, and cathartic arrangement, the duo ventured to reconfigure industrial music for a contemporary age. InchHell Is HereInch, Hide's 2019 sophomore full-length, sees this evolution progress even further. Using their previously established blueprint, Gabel and Sher poke and prod at the perception of musical context, and remind the listener that feelings of anxiety, pain, and discomfort are equally as important as those of resolution. Perhaps the strongest tool utilized here is the material's dichotomy between the abrasive and the sterile. Beneath the crushing noisy exterior, sparks the familiar human voice. Divorced from their caustic counterparts Gabel's vocals play a decisive role in cementing narrative for the material's uncompromising assault on the senses. Opening track InchChainsawInch immediately lays the groundwork for the excursion to come. Twisted, cold, and dry repetition soundtracks a one sided catcalling verbal assault. The theme of objectification carries through to the following track Inch999Inch with the use of a well-placed vocal sample that declares Inch... when you depersonalize another person... it seems to make it easier to do things you shouldn't do.Inch This sentiment is expertly echoed throughout the rest of InchHell Is HereInch and attempts to forcefully remind the listener of humanity's absurd and animalistic nature. Nearing the end of the punishing trek we find InchPainInch, which is arguably the record's most formidable use of space. The call and response nature of both the harsh percussive elements paired with the impending vocals effectively induces a deafArtistHideTitleHell Is HereFormatVINYLLabelDais
Reviews
This product doesn't have any reviews yet.
Compare similar products
2018's InchCastration AnxietyInch, the debut full-length from Chicago's Hide, presented an adept evolution in the journey of interdisciplinary artists Heather Gabel and Seth Sher. Trading in concrete and traditional songwriting and compositional structure for more challenging, stripped back, and cathartic arrangement, the duo ventured to reconfigure industrial music for a contemporary age. InchHell Is HereInch, Hide's 2019 sophomore full-length, sees this evolution progress even further. Using their previously established blueprint, Gabel and Sher poke and prod at the perception of musical context, and remind the listener that feelings of anxiety, pain, and discomfort are equally as important as those of resolution. Perhaps the strongest tool utilized here is the material's dichotomy between the abrasive and the sterile. Beneath the crushing noisy exterior, sparks the familiar human voice. Divorced from their caustic counterparts Gabel's vocals play a decisive role in cementing narrative for the material's uncompromising assault on the senses. Opening track InchChainsawInch immediately lays the groundwork for the excursion to come. Twisted, cold, and dry repetition soundtracks a one sided catcalling verbal assault. The theme of objectification carries through to the following track Inch999Inch with the use of a well-placed vocal sample that declares Inch... when you depersonalize another person... it seems to make it easier to do things you shouldn't do.Inch This sentiment is expertly echoed throughout the rest of InchHell Is HereInch and attempts to forcefully remind the listener of humanity's absurd and animalistic nature. Nearing the end of the punishing trek we find InchPainInch, which is arguably the record's most formidable use of space. The call and response nature of both the harsh percussive elements paired with the impending vocals effectively induces a deaf
![Sargon / Horowitz / Templeton / Campagnolo - Clarinet in English - COMPACT DISCS [CD]](https://pisces.bbystatic.com/image2/BestBuy_US/images/products/be257c05-7190-4186-8ce2-b4a8d9f058ca.jpg;maxHeight=422;maxWidth=264?format=webp)
Sargon / Horowitz / Templeton / Campagnolo - Clarinet in English [COMPACT DISCS] date 01/13/2017
Hide's third album, Interior Terror further abandons traditional concepts of song structure in favor of splintered rhythms and fevered, immediate . Expanding on previous themes of autonomy and empowerment, Interior Terror addresses and questions the corporeal and immaterial body in a physical and metaphysical sense. Turning to the dread inside, reflecting on the world around us, Hide gives voice to the power of destruction as a catalyst for hope, and to the collective experiences of those who've come before us as a wellspring of our own power. Raw vocal delivery of mantra-like prose issued forth yields a raging, plaintive wail that lulls, mocks, questions, proclaims and decries. A dearth of collected field recordings give way to more fluid arrangements while retaining a scathing urgency. The result is minimal, spacious, and jarring; a distant knocking grown into the pulse of a hypnotic dirge, drones emerge from shards of decomposed sound, bending, seething their way through your body.InchDo Not Bow DownInch loops the driving, off kilter rhythm of a skipping Depeche Mode CD with the twisted trill of a sampled composition by quarter note pianist and composer Mildred Couper to produce a madly spinning otherworld where self-immolation serves as your most positive contribution to society. InchNightmareInch explodes, unrelenting; conflating time and space to the beat of repeated blows to the head. A reflection on perpetual suffering, generational traumas and the transformative action of . Title track InchInterior TerrorInch belies a new brand of body horror informed by the systemic enforcement of a contemporary Western gender binary, touching on experiences of dysphoria and disassociation. InchFearInch answers the question 'Where do cops come from' in the opening line 'Straight from God's cunt to the death cult', belittling the pathetic and repeated attempts of man to acc
Hide's third album, Interior Terror further abandons traditional concepts of song structure in favor of splintered rhythms and fevered, immediate . Expanding on previous themes of autonomy and empowerment, Interior Terror addresses and questions the corporeal and immaterial body in a physical and metaphysical sense. Turning to the dread inside, reflecting on the world around us, Hide gives voice to the power of destruction as a catalyst for hope, and to the collective experiences of those who've come before us as a wellspring of our own power. Raw vocal delivery of mantra-like prose issued forth yields a raging, plaintive wail that lulls, mocks, questions, proclaims and decries. A dearth of collected field recordings give way to more fluid arrangements while retaining a scathing urgency. The result is minimal, spacious, and jarring; a distant knocking grown into the pulse of a hypnotic dirge, drones emerge from shards of decomposed sound, bending, seething their way through your body.InchDo Not Bow DownInch loops the driving, off kilter rhythm of a skipping Depeche Mode CD with the twisted trill of a sampled composition by quarter note pianist and composer Mildred Couper to produce a madly spinning otherworld where self-immolation serves as your most positive contribution to society. InchNightmareInch explodes, unrelenting; conflating time and space to the beat of repeated blows to the head. A reflection on perpetual suffering, generational traumas and the transformative action of . Title track InchInterior TerrorInch belies a new brand of body horror informed by the systemic enforcement of a contemporary Western gender binary, touching on experiences of dysphoria and disassociation. InchFearInch answers the question 'Where do cops come from' in the opening line 'Straight from God's cunt to the death cult', belittling the pathetic and repeated attempts of man to acc
Specs
Be the first to ask a question.
We’ll try to get your question answered within 24 hours by a Best Buy customer or brand representative.