Holy Magick - Holy Magick - VINYL LP

Hailing from the rural outskirts of Baltimore, consisting of founder, Dresden Boulden on Guitar and Vocals, Triston Grove on Bass, and Jason Kendall on Drums. Magick Potion is a hard hitting heavy rock trio channeling the raw energy and heavy grooves of the late 60's and early 70's. Clearly hooked on the likes of underrated groups such as Blue Cheer, The Amboy Dukes and Budgie, the band crafts a sound that fuse's heavy rock's gritty ri?s with contrasting moments boarding on psychedelia. With roaring guitars, thunderous drums and hard driving bass lines Magick Potion conjures a vibe that is both nostalgic yet contemporary and original. Their music is a bridge to an era where rock was rebellious, loud and unfiltered, yet they infuse it with a spirit all their own. Their self titled debut will be out on RidingEasy Records world wide on November 22, 2024. Catch them on the road in the USA this fall and spring 2025.

Here I Stand is the confident debut album of iSing Silicon Valley, the international-award-winning girls' choir based in Silicon Valley, California. Here I Stand celebrates iSing's focus on the power of girls to change the world as they raise their 200+ voices in remembrance, in strength, and in the pure, shared delight of coming together to sing. The album opens with a transcendent performance of the treble-voice version of Eriks Ešenvalds' soaring, dreamlike work for solo voice and chorus, Only in Sleep. The pro-gram includes some of the stunning works commissioned by iSing during it's first six seasons, with themes ranging from social justice, to individual growth and collective power. Among these Never Shall I Forget, Adam Schoenberg's haunting setting for treble voices, string quartet and percussion of excerpts from Elie Wiesel's Holocaust memoir Night; Daniel Elder's arrangements for iSing of his powerful commentary on gun violence, 365, and of In Your Light, his musical setting one of Rumi's most ecstatic poems. Given first life on the concert stage and on this recording by iSing's bright young singers, these commissions and commissioned arrangements make exciting, relevant additions to the repertoire for treble voices, here given definitive, top-notch renditions. The album artwork also includes original illustrations by a young choir alumna; together the package puts girls' inspiring talents center stage in heartwarming fashion. Listeners, prepare to be moved by the breadth of performance of iSing girls The musical finesse and the stunning vocal blend of iSing's elite choirs; the clarity of expression of the soloists; and - on the later tracks of the album - the lovely ensemble sound of younger iSing girls ranging in age from 7 to 12.

In 2020 Brooklyn's Holy Hive introduced us all to something we didn't know we needed. Homer Steinweiss' thickly pocketed drumming paired with Paul Spring's floaty falsetto vocal produces a sound that's like a salve. It's been dubbed Folk Soul and Holy Hive not only expertly overlay the more apparent musical aspects of folk and soul-but they also draw from the more profound being able to pull traditions from the past and make them their own. When Homer wasn't playing drums for Lady Gaga or Adele or Bruno Mars, he'd produce Paul's solo folk records. Along with original bassist and frequent collaborator Joe Harrison, these sessions proved to be Holy Hive's foundation. And their first record, Float Back to You, expertly combined what each musician does best Paul's heady, reflective approach to folk with Homer's universal classic soul sound. With their new record released on Big Crown, Holy Hive's beautifully simple-and-sparse Folk Soul sound is back-but updated. With new influences and the challenge of creating and capturing music during a global pandemic, this new self-titled album, is more personal, more reflective. The first single off of Holy Hive, InchI Don't Envy Yesterdays,Inch picks up right where Homer and Paul left off. The song weighs the question of time and the human condition-a deeply thoughtful and typically tricky subject-but in a light, almost easy-breezy way. Homer's drumming provides the song a space, a kind of breathing room. Written in the Yucca Valley desert before the world broke in 2020, it's no wonder Paul's voice drifts and darts on top of it all like a heat shimmer. They describe three distinct phases when piecing together Holy Hive this first stage was pre-pandemic in California while traveling as a group, then-like the rest of us-they were separated, creating together but apart, and lastly an explosion of output once they reunited in New Yo