Interstellar Audio Machines - Marsling Octafuzzdrive Guitar Pedal
Interstellar Audio Machines - Marsling Octafuzzdrive Guitar Pedal
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About This Item
- General
- Brand: Interstellar Audio Machines
- Model Number: IAMMOV1.0
- Product Name: Marsling Octafuzzdrive Guitar Pedal
- Dimensions
- Product Width: 4.25 inches (The out of box width of the item. Width is measured as the horizontal distance from one side of the item to the other as it would be primarily used or placed.)
- Product Height: 3.75 inches (The out of box height of the item. Height is measured as the vertical distance from the bottom of the item to the top as it would be primarily used or placed.)
- Product Length: 6.75 inches (The out of box length of the item. Length is measured as the longest dimension of the item.)
- Product Weight: 0.98 pounds (The out of box weight of the item.)
- Features
- Instrument Compatibility: Guitar
- Effect Type(s): Octave
- Power Source: Plug-in/Battery-powered
- Warranty
- Warranty - Parts: limited
- Warranty - Labor: None
- Other
- UPC: 860010839423
Introducing the Marsling Octafuzzdrive - a pedal as distinctive as its sound. The Beings at IAM take a modern spin on the discontinued '70s era fOXX, enhanced with two interstellar modifications. First, the octave-up effect is now at your feet, offering on-the-fly versatility with a footswitch. Additionally, a tone control toggle switch has been incorporated, empowering players to select from three unique tonal profiles. The Marsling stands out as the epitome of versatility within the Interstellar galaxy. The Marsling Octafuzzdrive is a recreation of the fOXX Tone Machine, first released in 1971 and discontinued in 1978. The Tone Machine is a thick fuzz that uses a phase spliter and complementary rectifier to create an octave overtone. The Tone Machine has a lot in common with the Fender Blender, but with a more pronounced octave and smoother tone, as well as the ability to disable the octave by turning off half of the phase splitter. And the tone is not unlike the Superfuzz, although it uses a different method of octave generation to get there. The Marsling is faithful to the original, but with two added modifications. First, the octave switch for octave up is on a footswitch for on and off capabilities instead of a toggle switch. The second modification is the tone control. The tone control of the original is somewhat similar to the Big Muff, but many people find it's difficult to get good sounds from the treble side of the rotation. By increasing the value of the treble-side tone capacitor, it improves the usability. A switch has been added to let you choose between two different capacitors in addition to the original.
- Boutique Effects with Cosmic Character: Interstellar Audio Machines creates high-quality boutique pedals and preamps designed for players chasing unique tone. Based in Florida, they combine precision engineering with bold, expressive sound. Each pedal is made in the USA, rigorously tested, and built to deliver reliable, otherworldly performance on any stage.
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Introducing the Marsling Octafuzzdrive - a pedal as distinctive as its sound. The Beings at IAM take a modern spin on the discontinued '70s era fOXX, enhanced with two interstellar modifications. First, the octave-up effect is now at your feet, offering on-the-fly versatility with a footswitch. Additionally, a tone control toggle switch has been incorporated, empowering players to select from three unique tonal profiles. The Marsling stands out as the epitome of versatility within the Interstellar galaxy. The Marsling Octafuzzdrive is a recreation of the fOXX Tone Machine, first released in 1971 and discontinued in 1978. The Tone Machine is a thick fuzz that uses a phase spliter and complementary rectifier to create an octave overtone. The Tone Machine has a lot in common with the Fender Blender, but with a more pronounced octave and smoother tone, as well as the ability to disable the octave by turning off half of the phase splitter. And the tone is not unlike the Superfuzz, although it uses a different method of octave generation to get there. The Marsling is faithful to the original, but with two added modifications. First, the octave switch for octave up is on a footswitch for on and off capabilities instead of a toggle switch. The second modification is the tone control. The tone control of the original is somewhat similar to the Big Muff, but many people find it's difficult to get good sounds from the treble side of the rotation. By increasing the value of the treble-side tone capacitor, it improves the usability. A switch has been added to let you choose between two different capacitors in addition to the original.
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