Interstellar Audio Machines - Marsling Octafuzzdrive Guitar Pedal
FREE shipping to
About This Item
- General
- Brand: Interstellar Audio Machines
- Model Number: IAMMOV1.0
- Product Name: Marsling Octafuzzdrive Guitar Pedal
- Dimensions
- Product Width: 4.25 inches (The out of box width of the item. Width is measured as the horizontal distance from one side of the item to the other as it would be primarily used or placed.)
- Product Height: 3.75 inches (The out of box height of the item. Height is measured as the vertical distance from the bottom of the item to the top as it would be primarily used or placed.)
- Product Length: 6.75 inches (The out of box length of the item. Length is measured as the longest dimension of the item.)
- Product Weight: 0.98 pounds (The out of box weight of the item.)
- Features
- Instrument Compatibility: Guitar
- Effect Type(s): Octave
- Power Source: Plug-in/Battery-powered
- Warranty
- Warranty - Parts: limited
- Warranty - Labor: None
- Other
- UPC: 860010839423
Introducing the Marsling Octafuzzdrive - a pedal as distinctive as its sound. The Beings at IAM take a modern spin on the discontinued '70s era fOXX, enhanced with two interstellar modifications. First, the octave-up effect is now at your feet, offering on-the-fly versatility with a footswitch. Additionally, a tone control toggle switch has been incorporated, empowering players to select from three unique tonal profiles. The Marsling stands out as the epitome of versatility within the Interstellar galaxy. The Marsling Octafuzzdrive is a recreation of the fOXX Tone Machine, first released in 1971 and discontinued in 1978. The Tone Machine is a thick fuzz that uses a phase spliter and complementary rectifier to create an octave overtone. The Tone Machine has a lot in common with the Fender Blender, but with a more pronounced octave and smoother tone, as well as the ability to disable the octave by turning off half of the phase splitter. And the tone is not unlike the Superfuzz, although it uses a different method of octave generation to get there. The Marsling is faithful to the original, but with two added modifications. First, the octave switch for octave up is on a footswitch for on and off capabilities instead of a toggle switch. The second modification is the tone control. The tone control of the original is somewhat similar to the Big Muff, but many people find it's difficult to get good sounds from the treble side of the rotation. By increasing the value of the treble-side tone capacitor, it improves the usability. A switch has been added to let you choose between two different capacitors in addition to the original.
- Boutique Effects with Cosmic Character: Interstellar Audio Machines creates high-quality boutique pedals and preamps designed for players chasing unique tone. Based in Florida, they combine precision engineering with bold, expressive sound. Each pedal is made in the USA, rigorously tested, and built to deliver reliable, otherworldly performance on any stage.
Reviews
This product doesn't have any reviews yet.
Compare similar products
Introducing the Marsling Octafuzzdrive - a pedal as distinctive as its sound. The Beings at IAM take a modern spin on the discontinued '70s era fOXX, enhanced with two interstellar modifications. First, the octave-up effect is now at your feet, offering on-the-fly versatility with a footswitch. Additionally, a tone control toggle switch has been incorporated, empowering players to select from three unique tonal profiles. The Marsling stands out as the epitome of versatility within the Interstellar galaxy. The Marsling Octafuzzdrive is a recreation of the fOXX Tone Machine, first released in 1971 and discontinued in 1978. The Tone Machine is a thick fuzz that uses a phase spliter and complementary rectifier to create an octave overtone. The Tone Machine has a lot in common with the Fender Blender, but with a more pronounced octave and smoother tone, as well as the ability to disable the octave by turning off half of the phase splitter. And the tone is not unlike the Superfuzz, although it uses a different method of octave generation to get there. The Marsling is faithful to the original, but with two added modifications. First, the octave switch for octave up is on a footswitch for on and off capabilities instead of a toggle switch. The second modification is the tone control. The tone control of the original is somewhat similar to the Big Muff, but many people find it's difficult to get good sounds from the treble side of the rotation. By increasing the value of the treble-side tone capacitor, it improves the usability. A switch has been added to let you choose between two different capacitors in addition to the original.
The Donner Arena2000 Multi-effects Processor features FAVCM technology and high-precision 24 bit/44.1 kHz audio processing to deliver rich, delicate sounds without the “plastic taste” typical of digital effects, offering layered tones to express real emotions. It includes 278 effect types: 100 classic effect simulations, 80 amp simulations, and 50 cabinet simulations, covering everything from urban pop to thrash metal. With 50 built-in IRs, 50 slots for third-party IRs, and a resolution of up to 23.2 ms, it precisely restores tone and spatial authenticity. The Arena2000 is ideal for solo performers, featuring 40 drum rhythms, a 60-second looper, headphone output for late-night practice, and OTG compatibility for recording via phone. It also includes customizable CTRL mode, dual expression pedals for real-time parameter adjustment, Arena2000 CONTROL software for editing via computer or mobile, Aux In, MIDI In, XLR L/R outputs, and Cab Sim output switching for versatile live performance setups. Recommended headphone impedance is 32-64 ohms, and the product does not include a battery compartment.
Unleash your creativity with the BOSS ME-90 Multi-Effects Guitar Pedal, the most advanced ME-series processor to date. Built on the legendary BOSS GT-series sound engine, the ME-90 packs 97 high-quality effects, 11 AIRD amp models, IR loading, and a looper into a streamlined, ultra-portable design. Whether you’re a beginner learning the ropes or a seasoned guitarist seeking a versatile gigging unit, this pedalboard is designed to deliver professional sound with ease. The intuitive stompbox-style interface makes tone crafting simple — just twist a knob, stomp a switch, and play. Toggle between pedal-style Manual Mode or preset-driven Memory Mode, and take full control with eight rugged footswitches and a redesigned expression pedal. With flagship-grade 32-bit processing, 48kHz sampling, and USB-C connectivity, your sound stays clear, dynamic, and studio-ready. Perfect for live performers and home recordists alike, the ME-90 offers multiple power options (AA batteries or AC adapter), a lightweight but durable chassis, and seamless integration with BOSS Tone Studio and Tone Central for patch editing and downloading pro-created tones. From vintage-inspired warmth to modern high-gain crunch, shimmering modulations, and atmospheric delays, the ME-90 gives you everything you need to define your sound — anywhere you play.
The classic DS-1 Distortion pedal provides a harder distortion effect for guitar and keyboard sounds. Instead of toneless, fuzzy distortion, the DS-1 faithfully reproduces all the subtle nuances of playing dynamics--at any volume.