Jacob / Perez Mesa / Spalding - Jeffrey Jacob: Reawakening - COMPACT DISCS [CD]

Membre du Big Band de Claude Bolling depuis 1978, le talentueux saxophoniste et clarinettiste Claude Tissendier a ete un temoin privilegie de la carriere du pianiste et chef d'orchestre. Ces annees de collaboration et une connaissance intime du repertoire bollingien, conferent a son hommage une authenticite rare. Avec Swingin' Bolling Tissendier s'affirme comme un passeur de memoire, un gardien du temple swing, qui perpetue a merveille l'esprit et la lettre de l'oeuvre du chef. Augustin BONDOUX / Patrick FReMEAUX The talented saxophonist/clarinet-player Claude Tissendier has been a member of the Claude Bolling Big Band since 1978, and so a privileged witness to his leader's career as a pianist and conductor. During those years of collaboration, Tissendier has gained an intimate knowledge of the band's repertoire that lends rare authenticity to his tribute here. With InchSwingin' BollingInch, Tissendier shows himself to be a perfect messenger filled with memories and also one of the best guardians of the temple of Swing. This record wonderfully perpetuates the spirit and the letter of the works of Inchthe Chief.Inch Augustin BONDOUX / Patrick FReMEAUX BOWLING GREEN - LET'S SWING IT - TRADE MARK - BIG GOLDEN PIPE RHAPSODY - THE KEY - SAX SPECIALTIES (SAX SPECIAL TISS) - GENTLE GIRL - FEED THE CATS - MAIN DE FER ET GANT DE VELOURS - LA COMPLAINTE DES APACHES - PARIS EN BOUTEILLE - SOFT CALL - KEEP SMILING - CITY LIFE. CLAUDE TISSENDIER SAXPHONE ALTO, ARRANGEMENTS eRIC LEVRARD SAXPHONE BARYTON PHILIPPE MILANTA PIANO PIERRE MAINGOURD CONTREBASSE ALAIN CHAUDRON BATTERIE FABY MeDINA CHANT (5 &10) TOUTES LES COMPOSITIONS SONT DE CLAUDE BOLLING

Jacob / Spalding / Jacob / New England Str Qrt - Darkness to Light-The Music of Jeffrey Jacob [COMPACT DISCS] Enhanced date 10/14/2014

Grabbing vs. Releasing, self-assertion vs. ^#^surrender the title juxtaposes seemingly irreconcilable opposites. But it is precisely this sense of antithesis that defines the force-field mapped out by Jens Joneleit's cycle for 27 soloists, InchLe tout, le rienInch. In the instant between reading the title and hearing the first notes of the music, the expectant listener can imagine a wide-open space with a free constellation of potential sounds. How do they interrelate? Do they seek to merge into a whole, or do they drift apart into nothingness from the moment they are nudged? And what happens when the two processes happen to interlock and conflict? The listener is continuously tempted to think in terms of fresh starts. The piece evidently seeks a way to capture and illuminate each and every sonority in it's original state, if only for a fleeting instant. The result is an intractable flux that will neither countenance an interruption nor abandon it's interrogative impulse. InchLe tout, le rienInch was composed at the occasion of Ensemble Modern's 25th anniversary and first performed in Dresden in October 2005.