K. Penderecki - Fonogrammi / Horn Concerto / Partita / Awakening - COMPACT DISCS [CD]
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Each of these six orchestral works bears the imprint of Penderecki's greatness as a composer. Fonogrammi alternates piquant sonorities, pulsating vehemence and moments of great intimacy. Intensity accompanied by neo-Romantic elements can be heard in the Awakening of Jacob whilst Anaklasis is a stunning example of juxtaposed, multiple sound patterns. De natura sonoris I explores more improvisational, jazz-influenced areas, as does the richly orchestrated Partita. The Horn Concerto, composed in 2008, offers an evocative landscape, glacial, powerful, yet wistful. Antoni Wit, one of the most highly regarded Polish conductors, studied conducting with Henryk Czyz and composition with Krzysztof Penderecki at the Academy of Music in Krakow, subsequently continuing his studies with Nadia Boulanger in Paris. In 2002 he became managing and artistic director of the Warsaw Philharmonic Orchestra.
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- GenreClassicalDescriptionEach of these six orchestral works bears the imprint of Penderecki's greatness as a composer. Fonogrammi alternates piquant sonorities, pulsating vehemence and moments of great intimacy. Intensity accompanied by neo-Romantic elements can be heard in the Awakening of Jacob whilst Anaklasis is a stunning example of juxtaposed, multiple sound patterns. De natura sonoris I explores more improvisational, jazz-influenced areas, as does the richly orchestrated Partita. The Horn Concerto, composed in 2008, offers an evocative landscape, glacial, powerful, yet wistful. Antoni Wit, one of the most highly regarded Polish conductors, studied conducting with Henryk Czyz and composition with Krzysztof Penderecki at the Academy of Music in Krakow, subsequently continuing his studies with Nadia Boulanger in Paris. In 2002 he became managing and artistic director of the Warsaw Philharmonic Orchestra.ArtistK. PendereckiTitleFonogrammi / Horn Concerto / Partita / AwakeningFormatCDLabelNaxos
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The Polish composer Krzysztof Penderecki used to write chamber music even as a student in Cracow. He was writing the chamber music works for himself, then already an accomplished violinist, and his fellow students (The title InchSonata for Violin and PianoInch from 1953 has only recently been published.). A specialty of these early works are Penderecki's inventions with which he altered the sound of the stringed instruments, indeed almost to the point of being completely unrecognizable. With the new sounds he introduced, he achieved effects both frightening and rough as well as a bewitching, irredescent lyricism a broad scale of sounds and colors which no one would have thought possible with stringed instruments. After the composition of the InchString Quartet No. 1Inch chamber music receded into the background. The next quartet appeared eight years later, and the following pieces for single instruments were mostly Inchgifts of friendshipInch for the outstanding interpreters of his instrumental concertos with orchestra. Only recently, in 1990, has Penderecki turned again intensively to chamber music, composing the strongly virtuoso InchString TrioInch which is also included on this CD. The interpreters of this production are renowned musicians and, being either Polish or having lived and worked in Poland, very familiar with the composer's works.
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