Kokomo Arnold - Collection 1930-38 - COMPACT DISCS [CD]
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James InchKokomoInch Arnold was a blues singer, songwriter and left-handed slide guitarist from Georgia, who eventually landed up in Chicago where he ran a bootlegging business during the prohibition years of the 1920s. After making a record in Memphis in 1930 under the name of Gitfiddle Jim, he started playing professionally in Chicago when prohibition came to an end in 1933, and began recording for Decca after being introduced to producer Mayo Williams. He recorded regularly in Chicago from 1934 to 1937, sometimes working with pianist Peetie Wheatstraw, and wrote and recorded many songs which proved highly influential in later years. This great-value 49-track 2-CD collection comprises selected A and B sides of the 40 or so solo releases he had during his career, which we trust provides a substantial and representative cross-section of his career output, before he became disillusioned and simply gave up performing and recording when he realised how little he was making from his work. It features his most influential songs, including InchOriginal Kokomo BluesInch, the song which gave him his name, and which Robert Johnson adapted as InchSweet Home ChicagoInch, InchMillk Cow BluesInch, which Johnson also adapted as InchMilkcow Calf's BluesInch and was later recorded by Elvis Presley, InchSagefield Woman BluesInch, which introduced the phrase Inchdust my broomInch into blues parlance, and InchSissy Man BluesInch. It's a fascinating showcase for a performer who had a significant influence during his short career as a recording artist
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- GenreBluesDescriptionJames InchKokomoInch Arnold was a blues singer, songwriter and left-handed slide guitarist from Georgia, who eventually landed up in Chicago where he ran a bootlegging business during the prohibition years of the 1920s. After making a record in Memphis in 1930 under the name of Gitfiddle Jim, he started playing professionally in Chicago when prohibition came to an end in 1933, and began recording for Decca after being introduced to producer Mayo Williams. He recorded regularly in Chicago from 1934 to 1937, sometimes working with pianist Peetie Wheatstraw, and wrote and recorded many songs which proved highly influential in later years. This great-value 49-track 2-CD collection comprises selected A and B sides of the 40 or so solo releases he had during his career, which we trust provides a substantial and representative cross-section of his career output, before he became disillusioned and simply gave up performing and recording when he realised how little he was making from his work. It features his most influential songs, including InchOriginal Kokomo BluesInch, the song which gave him his name, and which Robert Johnson adapted as InchSweet Home ChicagoInch, InchMillk Cow BluesInch, which Johnson also adapted as InchMilkcow Calf's BluesInch and was later recorded by Elvis Presley, InchSagefield Woman BluesInch, which introduced the phrase Inchdust my broomInch into blues parlance, and InchSissy Man BluesInch. It's a fascinating showcase for a performer who had a significant influence during his short career as a recording artistArtistKokomo ArnoldTitleCollection 1930-38FormatCDLabelAcrobat
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James InchKokomoInch Arnold was a blues singer, songwriter and left-handed slide guitarist from Georgia, who eventually landed up in Chicago where he ran a bootlegging business during the prohibition years of the 1920s. After making a record in Memphis in 1930 under the name of Gitfiddle Jim, he started playing professionally in Chicago when prohibition came to an end in 1933, and began recording for Decca after being introduced to producer Mayo Williams. He recorded regularly in Chicago from 1934 to 1937, sometimes working with pianist Peetie Wheatstraw, and wrote and recorded many songs which proved highly influential in later years. This great-value 49-track 2-CD collection comprises selected A and B sides of the 40 or so solo releases he had during his career, which we trust provides a substantial and representative cross-section of his career output, before he became disillusioned and simply gave up performing and recording when he realised how little he was making from his work. It features his most influential songs, including InchOriginal Kokomo BluesInch, the song which gave him his name, and which Robert Johnson adapted as InchSweet Home ChicagoInch, InchMillk Cow BluesInch, which Johnson also adapted as InchMilkcow Calf's BluesInch and was later recorded by Elvis Presley, InchSagefield Woman BluesInch, which introduced the phrase Inchdust my broomInch into blues parlance, and InchSissy Man BluesInch. It's a fascinating showcase for a performer who had a significant influence during his short career as a recording artist
![Kokomo Arnold - Complete Recorded 1 - COMPACT DISCS [CD]](https://pisces.bbystatic.com/image2/BestBuy_US/images/products/d59ed942-8e51-4d8b-9b89-278a7b057cbd.jpg;maxHeight=422;maxWidth=264?format=webp)
Arnold had a very lyrical and and vocal sound to his playing. On 17th May 1930 he cut a record for Victor, using the pseudonym Gitfiddle Tim. The recordings from this session were outstanding and make up Volume 1 of Kokomo Arnold's Complete Works.
![Kokomo Arnold - Complete Recorded 2 - COMPACT DISCS [CD]](https://pisces.bbystatic.com/image2/BestBuy_US/images/products/8a2592c0-9cb5-4ed4-a35c-3069980c2468.jpg;maxHeight=422;maxWidth=264?format=webp)
Arnold had a very lyrical and and vocal sound to his playing and played in a very frenzied rhythmic style. By 1935, Arnold, though not totally abandoning the country life; that his music had been born out of, had started to become accustomed to the big city, Chicago in particular. This session saw the first use of piano playing (provided by Peetie W.) to back up his highly personal slide style.

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