Lee Bains III & the Glory Fires - Old-time Folks - VINYL LP
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Double vinyl LP pressing. Includes . While the Glory Fires have spent a decade propagating what the New York Times calls 'pandemonium with a conscience,' they've long talked about wanting to make a classic record - not a transparent document of their playing live with the occasional embellishment - but a record. So, that's what they did. They contacted Athens, Georgia's David Barbe, whose work with the Drive-By Truckers, Sugar, Son Volt, Vic Chesnutt and countless other artists has earned him a legendary reputation amongst Southern independent rockers, and they agreed to set about bringing this vision to fruition. While tackling such lofty political, historical and philosophical concepts, the album is also the band's most intimate, vulnerable and spiritual to date. The perspective is both outward- and inward-facing, Bains never taking on the persona or experience of others, but rather writing about the way his own limited experience and perspective of the band's place can lift the veils of false narratives, and uncover 'piles of winding stories' through time. In an age characterized by individualism, and at a time when the past seems to be the sole domain of the status quo, Old-Time Folks illustrates the deep, thick, tangled roots of liberation, collectivism, mutuality and solidarity in the Deep South, and where they are flowering and bringing forth fruit today.
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- GenreRockDescriptionDouble vinyl LP pressing. Includes . While the Glory Fires have spent a decade propagating what the New York Times calls 'pandemonium with a conscience,' they've long talked about wanting to make a classic record - not a transparent document of their playing live with the occasional embellishment - but a record. So, that's what they did. They contacted Athens, Georgia's David Barbe, whose work with the Drive-By Truckers, Sugar, Son Volt, Vic Chesnutt and countless other artists has earned him a legendary reputation amongst Southern independent rockers, and they agreed to set about bringing this vision to fruition. While tackling such lofty political, historical and philosophical concepts, the album is also the band's most intimate, vulnerable and spiritual to date. The perspective is both outward- and inward-facing, Bains never taking on the persona or experience of others, but rather writing about the way his own limited experience and perspective of the band's place can lift the veils of false narratives, and uncover 'piles of winding stories' through time. In an age characterized by individualism, and at a time when the past seems to be the sole domain of the status quo, Old-Time Folks illustrates the deep, thick, tangled roots of liberation, collectivism, mutuality and solidarity in the Deep South, and where they are flowering and bringing forth fruit today.ArtistLee Bains III & the Glory FiresTitleOld-time FolksFormatVINYLLabelDon Giovanni Records
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Double vinyl LP pressing. Includes . While the Glory Fires have spent a decade propagating what the New York Times calls 'pandemonium with a conscience,' they've long talked about wanting to make a classic record - not a transparent document of their playing live with the occasional embellishment - but a record. So, that's what they did. They contacted Athens, Georgia's David Barbe, whose work with the Drive-By Truckers, Sugar, Son Volt, Vic Chesnutt and countless other artists has earned him a legendary reputation amongst Southern independent rockers, and they agreed to set about bringing this vision to fruition. While tackling such lofty political, historical and philosophical concepts, the album is also the band's most intimate, vulnerable and spiritual to date. The perspective is both outward- and inward-facing, Bains never taking on the persona or experience of others, but rather writing about the way his own limited experience and perspective of the band's place can lift the veils of false narratives, and uncover 'piles of winding stories' through time. In an age characterized by individualism, and at a time when the past seems to be the sole domain of the status quo, Old-Time Folks illustrates the deep, thick, tangled roots of liberation, collectivism, mutuality and solidarity in the Deep South, and where they are flowering and bringing forth fruit today.

Blue Translucent Vinyl. On the heels of his just released new album, A Few Good Moments, Canadian rock legend Burton Cummings has announced he's releasing mastered versions of his classic albums. Heart, first released in 1984 remaster. Cummings will celebrate his new album and repackaged catalogue releases live on tour performing music from his RIAA Gold-certified solo career as well as classic songs from The Guess Who- with The 60th Anniversary Hits Tour, a wide-ranging North American headline run set to travel the US and Canada through March 2025. The epic schedule began on September 13, with a top-billed festival performance at Deadwood, SD's Deadwood Jam 2024 and includes shows at such vaunted venues as Solana Beach, CA's Belly Up (January 14), Nashville, TN's Ryman Auditorium (February 2) and Washington, DC's Warner Theatre (March 19), dates accompanied by special guest Jim Messina, and the sold-out Rock Legends Cruise XII 2025. Heart will also be available on CD with 4 bonus tracks as well as on all streaming platforms.

Lee Bains III & Glory Fires Recorded in Nashville, Tennessee at Battletapes with engineer Jeremy Ferguson and producer Tim Kerr, Lee Bains III & The Glory Fires' Youth Detention captures the band in raw form. Each song was cut live to tape, with the four performing in the same room without headphones or baffling. The result is thoroughly human, Lynn Bridges' mix retaining the band's live energy and looseness at the expense of a few out of tune strings. The Glory Fires music draws deeply from punk, but also soul, power pop, country, and gospel. It's equal parts careful curation and geographic inheritance.

Prelude To Ecstasy is a pendulum which swings between the extremes of human emotion - from the ecstasy of passion to the sublimity of pain - and it is this concept which binds our album together. This is an archeology of ourselves; you can exhume our collective and individual experiences and influences from within it's fabric. We exorcised guitars for their solos, laid bare confessions directly from diary pages, and summoned an orchestra to bring our vision to life. It is out greatest honour and pride to present this offering to the world, it is everything we are. - The Last Dinner Party
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