L'orfeo - DVD
About This Item
- Details
- Genre: Music
- Description: This is the third L’Orfeo I’ve seen on DVD, and it’s a real success. In style it fits among the theatrical productions that use over 20 singers and over 20 players, even adding some supernumeraries to fill the stage. Yet as a performance it should stand comparison with the intimate versions that we have heard on CD recently, since Pier Luigi Pizzi, the stage director who also designed the sets and costumes, replicated the venue of the first production in the Mantua residence. This may suggest that adhering to the minimal personnel of the alternative interpretation (a dozen singers and a dozen players, more or less) is not really necessary, or simply that Pizzi imagines a pretty big palace. But he imagines well, for this is the best stage set, the best costumes, the best lighting, and the best camerawork of the three versions I’ve seen. It is simply the best theatrical production of an opera that I’ve ever seen on DVD (not that I’ve seen very many). All three were made in live performances (the Harnoncourt video of 1979 was pantomimed in a studio 10 months after the performance was recorded), but the audience manifests itself only twice at the ends of the two halves. Christie’s was a single performance of May 19, 2008, at the Teatro Real in Madrid, while Jean Claude Malgoire’s was made at Tourcoing in October 2004 (also for Dynamic) and Stephen Stubbs’s was made in Amsterdam in July 1997 for Opus Arte.
- Title: L'orfeo
- Format: DVD
- MPAA Rating: NR (Motion Picture Association of America's (MPAA) film-rating system is used in the United States and its territories to rate a film's suitability for certain audiences.)
- Studio: Dynamic Italy
- Release Date: 06/30/2009
- Region Code: 0
- Genre: Music
- Other
- Product Name: L'orfeo - DVD
- UPC: 8007144335984
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This is the third L’Orfeo I’ve seen on DVD, and it’s a real success. In style it fits among the theatrical productions that use over 20 singers and over 20 players, even adding some supernumeraries to fill the stage. Yet as a performance it should stand comparison with the intimate versions that we have heard on CD recently, since Pier Luigi Pizzi, the stage director who also designed the sets and costumes, replicated the venue of the first production in the Mantua residence. This may suggest that adhering to the minimal personnel of the alternative interpretation (a dozen singers and a dozen players, more or less) is not really necessary, or simply that Pizzi imagines a pretty big palace. But he imagines well, for this is the best stage set, the best costumes, the best lighting, and the best camerawork of the three versions I’ve seen. It is simply the best theatrical production of an opera that I’ve ever seen on DVD (not that I’ve seen very many). All three were made in live performances (the Harnoncourt video of 1979 was pantomimed in a studio 10 months after the performance was recorded), but the audience manifests itself only twice at the ends of the two halves. Christie’s was a single performance of May 19, 2008, at the Teatro Real in Madrid, while Jean Claude Malgoire’s was made at Tourcoing in October 2004 (also for Dynamic) and Stephen Stubbs’s was made in Amsterdam in July 1997 for Opus Arte.
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