Lucile Richardot - L'Orfeo - DVD

Opera was in it's infancy when Monteverdi wrote L'Orfeo, only six years after the first example of a drama set wholly to music had been performed in Florence. He brought to the work a revolutionary synthesis of text, staging and musical architectural that virtually defined the future of opera. John Eliot Gardiner first conducted L'Orfeo at the Proms in London in 1967. For decades he has been at the forefront of Monteverdi performance and scholarship and in 2017, the 450th anniversary of Monteverdi's birth, and the 50th anniversary of his own first performance of the opera, he undertook the crowning achievement of his association with the composer, an odyssey to perform all three surviving full-length operas. This performance of L'Orfeo was given at the historic Teatro La Fenice in Venice - which has seen triumphant premieres of works by Rossini, Donizetti, Verdi and many others - in a critically acclaimed semi-staged production.

This is the third L’Orfeo I’ve seen on DVD, and it’s a real success. In style it fits among the theatrical productions that use over 20 singers and over 20 players, even adding some supernumeraries to fill the stage. Yet as a performance it should stand comparison with the intimate versions that we have heard on CD recently, since Pier Luigi Pizzi, the stage director who also designed the sets and costumes, replicated the venue of the first production in the Mantua residence. This may suggest that adhering to the minimal personnel of the alternative interpretation (a dozen singers and a dozen players, more or less) is not really necessary, or simply that Pizzi imagines a pretty big palace. But he imagines well, for this is the best stage set, the best costumes, the best lighting, and the best camerawork of the three versions I’ve seen. It is simply the best theatrical production of an opera that I’ve ever seen on DVD (not that I’ve seen very many). All three were made in live performances (the Harnoncourt video of 1979 was pantomimed in a studio 10 months after the performance was recorded), but the audience manifests itself only twice at the ends of the two halves. Christie’s was a single performance of May 19, 2008, at the Teatro Real in Madrid, while Jean Claude Malgoire’s was made at Tourcoing in October 2004 (also for Dynamic) and Stephen Stubbs’s was made in Amsterdam in July 1997 for Opus Arte.

?2017 marked the 450th anniversary of the birth of Claudio Monteverdi - one of the founders of opera and hailed in his day as 'the creator of modern music'. Monteverdi transformed vocal music beyond Renaissance polyphony into an entirely new genre that expressed powerful feelings and emotions within a gripping narrative. This set brings together Monteverdi's three surviving operas the splendorous L'Orfeo and, from later in his life, Il ritorno d'Ulisse in patria and L'incoronazione di Poppea with their visceral passions and dramatic dilemmas, all elements that have animated the history of opera for centuries. John Eliot Gardiner's acclaimed Monteverdi 450 series of semi-staged performances produced in Venice's historical Teatro La Fenice is a living confirmation that Monteverdi 'will be sighed for in later ages, for his compositions will surely outlive the ravages of time.'