M. Falla De - Corregidor & la Molinera/Amor - COMPACT DISCS [CD]

British composer Michael Head (1900-1976) initially studied piano with Jean Adair, a student of famous Clara Schumann, and vocal performance with Fritz Marston. It was only in 1919 that he began studying composition in the class of Prof. Frederick Corder after he had been admitted to the Royal Academy of Music in London as a Sir Michael Costa scholarship holder. After completing his education, Head lectured at that university for many years. Peter Hope, born in 1930, is another representative of the British school of composers on the present album, also known under the pseudonym William Gardner. He gained fame as an outstanding arranger (he worked with the BBC Concert Orchestra on a number of occasions and orchestrated pieces by composers linked to the American film industry, e.g. John Williams, James Horner, or Laurence Rosenthal). Despite the fact that he has dealt mainly with arrangements and transcriptions throughout his career, his compositional output can be considered impressive. André Previn (1929-2019), an American artist, is mainly associated as a world-famous conductor, pianist, and promoter of outstanding violinist Anne-Sophie Mutter. In this context, his compositional out-put seems to be unjustly forgotten. An international composer, Daniel Baldwin's music has been performed around the globe in Canada, Italy, Germany, Japan, China, Belgium, and Australia, just to name a few. His music is published exclusively by Imagine Music Publishing, through which he is the editor of a band/orchestra/choir series titled InchThe Pathways SeriesInch.

From the middle of the nineteenth century there was a blossoming of nationalism within the creative arts - very notably in music - in Finland that reflected the political mood in the country. From an international perspective, the dominant stature of Sibelius can often overshadow the wide-ranging works of his peers - something that this album goes some way to redressing. Robert Kajanus was the leading figure in Finnish music before Sibelius became established. His Overtura sinfonica is a late work, from 1926, which epitomises his style. Armas Järnefelt was a friend and fellow student of Sibelius, and eventually became his brother-in-law. Erkki Melartin wrote his incidental music for Prinsessa Ruusunen (Sleeping Beauty) for a production of Zachris Topelius's fairy-tale play at the Finnish Theatre. Ernst Mielck (who cruelly died aged twenty-one) was mentored by Robert Kajanus, who also conducted the première of Mielck's Dramatische Ouvertüre in Helsinki. Selim Palmgren was an acclaimed pianist and composer, and was eventually appointed Professor of Composition at the Eastman School of Music. The overture from his Tuhkimo-Sarja (Cinderella Suite) is particularly exotic. Another pianist-composer, Heino Kaski, spent his career as a teacher, leaving little time for composition. His Prélude is an orchestration of one of his most popular piano miniatures. The work of Uuno Klami is closer to European modernism, reflecting his studies in Paris and Vienna. Leevi Madetoja was perhaps the most talented of Sibelius's small number of private pupils. His Comedy Overture is an orchestral tour-de-force, with echoes of Richard Strauss. He was a native of Oulu, the home of the Oulu Sinfonia, conducted here by it's chief conductor, Rumon Gamba.

M. Falla De - El Amor Brujo / El Retablo de Maese Pedro [COMPACT DISCS] date 04/22/1997