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Mineccia - Paisiello Album - COMPACT DISCS [CD]

SKU: 10587989

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During his lifetime, Giovanni Paisiello (1740-1816) was in fact more famous than Mozart, and his operas were veritable hits. Nowadays, it is in the hands of experts such as Florence native Filippo Mineccia to restore his unjustly neglected compositional output. With his fine countertenor voice, Mineccia presents a collection of outstanding opera arias in a recording which for sure will quickly deserve a prominent place in the shelves (or hard drives) of the many Italian Baroque opera lovers. Mineccia has found in the Lisbon-based ensemble Divino Sospiro under the direction of Massimo Mazzeo an exquisite support. Born in Florence, FIlippo Mineccia began his musical studies very early in the prestigious School of Music of Fiesole, singing in the polifonic choir. After that he continued his musical studies in cello, obtaining a degree at the Conservatory InchLuigi CherubiniInch of Florence. In that same time he also obtained a Singing degree with Gianni Fabbrini. He has worked with prestigious groups all over Europe, and has won notable prizes at renowned contests across Italy and abroad.

Specifications

  • Genre
    Classical
    Description
    During his lifetime, Giovanni Paisiello (1740-1816) was in fact more famous than Mozart, and his operas were veritable hits. Nowadays, it is in the hands of experts such as Florence native Filippo Mineccia to restore his unjustly neglected compositional output. With his fine countertenor voice, Mineccia presents a collection of outstanding opera arias in a recording which for sure will quickly deserve a prominent place in the shelves (or hard drives) of the many Italian Baroque opera lovers. Mineccia has found in the Lisbon-based ensemble Divino Sospiro under the direction of Massimo Mazzeo an exquisite support. Born in Florence, FIlippo Mineccia began his musical studies very early in the prestigious School of Music of Fiesole, singing in the polifonic choir. After that he continued his musical studies in cello, obtaining a degree at the Conservatory InchLuigi CherubiniInch of Florence. In that same time he also obtained a Singing degree with Gianni Fabbrini. He has worked with prestigious groups all over Europe, and has won notable prizes at renowned contests across Italy and abroad.
    Artist
    Mineccia
    Title
    Paisiello Album
    Format
    CD
    Label
    Pan Classics
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Mineccia - Paisiello Album   - COMPACT DISCS [CD]
Mineccia - Paisiello Album - COMPACT DISCS [CD]

During his lifetime, Giovanni Paisiello (1740-1816) was in fact more famous than Mozart, and his operas were veritable hits. Nowadays, it is in the hands of experts such as Florence native Filippo Mineccia to restore his unjustly neglected compositional output. With his fine countertenor voice, Mineccia presents a collection of outstanding opera arias in a recording which for sure will quickly deserve a prominent place in the shelves (or hard drives) of the many Italian Baroque opera lovers. Mineccia has found in the Lisbon-based ensemble Divino Sospiro under the direction of Massimo Mazzeo an exquisite support. Born in Florence, FIlippo Mineccia began his musical studies very early in the prestigious School of Music of Fiesole, singing in the polifonic choir. After that he continued his musical studies in cello, obtaining a degree at the Conservatory InchLuigi CherubiniInch of Florence. In that same time he also obtained a Singing degree with Gianni Fabbrini. He has worked with prestigious groups all over Europe, and has won notable prizes at renowned contests across Italy and abroad.

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Paisiello - Serva Padrona   - COMPACT DISCS [CD]

In setting La Serva padrona to his own music, Paisiello showed he knew he was a composer to be reckoned with and he made the point again when he revised Pergolesi's Stabat Mater. In Paisiello's La Serva padrona, the protagonist is given a new aria InchDonne vaghe i studi nostriInch, (taken from Goldoni's Le Virtuose ridicole 1752), and two new duets, (authors unknown), are added, bringing the intermezzo closer in concept to opera buffa. The intermezzo for two voices was a defunct genre by this time but Paisiello decided to revive it indeed, the composer was clearly adapting to the new, lachrymose style popular with middle-class audiences which had arrived with La Buona figliuola by Goldoni-Piccinni (1760). The present edition differs from other recorded versions in that it is based on an unpublished critical edition for performance with period instruments, pitch at 415 Hz and no cuts to the recitatives or pezzo chiuso numbers.

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