
It was never supposed to happen. No one was supposed to reimagine Terry Riley's A Rainbow In Curved Air-a piece of music that, until now, has existed in it's own class of expression. No one was supposed to scale the perilous heights of the citadel and come back with another document of the strange festival scenes within. With the of Nico Georis's A Rainbow In Curved Air it's clear now that this piece of music is a place that you can go to, a kind of astral sanctum that can be visited again and again so long as you know the mysterious paths that lead to it. Doing away with the production tricks used on Riley's original recording (just intonation, mirror image delay, half-speed tracking of all lead parts) Nico Georis confronts the central seven time theme with a new transparency that gradually complexifies into astonishing Persian carpet displays of patterned musical awareness. This is music of the plenum and not the void it is teeming with forms that behave in ways that recall descriptions of elaborately jeweled DMT hyperspace; sonic shapes that are driven by the pure uplift and force of infinite, unconstrained autotransformation. In this way it is similar to the original but the pace is way less manic, way more listenable as it rides forward on a calm surge of dazzling zero point energy. InchThe three other songs on the record are Georis originals. InchVaporInch is a moment of twilight abstraction, a plant music duet that features Nico playing along with the plaintive washes of sound produced by a cannabis plant connected to a Plant Wave device. This song was composed spontaneously as it was broadcast live over Nico's Big Sur based pirate channel, Milky Way Radio. Side B contains two remarkable songs, InchHot SlotsInch and Inch777Inch, that are built mostly out of samples of slot machine sounds. They are both rich holograms of hallucinated beauty and convey somethi
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It was never supposed to happen. No one was supposed to reimagine Terry Riley's A Rainbow In Curved Air-a piece of music that, until now, has existed in it's own class of expression. No one was supposed to scale the perilous heights of the citadel and come back with another document of the strange festival scenes within. With the of Nico Georis's A Rainbow In Curved Air it's clear now that this piece of music is a place that you can go to, a kind of astral sanctum that can be visited again and again so long as you know the mysterious paths that lead to it. Doing away with the production tricks used on Riley's original recording (just intonation, mirror image delay, half-speed tracking of all lead parts) Nico Georis confronts the central seven time theme with a new transparency that gradually complexifies into astonishing Persian carpet displays of patterned musical awareness. This is music of the plenum and not the void it is teeming with forms that behave in ways that recall descriptions of elaborately jeweled DMT hyperspace; sonic shapes that are driven by the pure uplift and force of infinite, unconstrained autotransformation. In this way it is similar to the original but the pace is way less manic, way more listenable as it rides forward on a calm surge of dazzling zero point energy. InchThe three other songs on the record are Georis originals. InchVaporInch is a moment of twilight abstraction, a plant music duet that features Nico playing along with the plaintive washes of sound produced by a cannabis plant connected to a Plant Wave device. This song was composed spontaneously as it was broadcast live over Nico's Big Sur based pirate channel, Milky Way Radio. Side B contains two remarkable songs, InchHot SlotsInch and Inch777Inch, that are built mostly out of samples of slot machine sounds. They are both rich holograms of hallucinated beauty and convey somethi

Triple vinyl LP pressing. In 1987, Oscar Peterson led his quartet - featuring Joe Pass, Dave Young and Martin Drew - through the final engagement of their 14-concert European fall tour at Helsinki's famed Kulttuuritalo. InchA Time for LoveInch captures Peterson's desire to focus on performing original compositions alongside timeless classics at the pinnacle of the group's creative stride. Album Tracks 1. Cool Walk 2. Sushi 3. Love Ballade 4. Cakewalk 1. Salute to Bah Allegro\Andante\Bach's Blues 2. Time for Love 3. How High the Moon 4. Soft Winds 1. Duke Ellington Medley Take the InchAInch Train\Don't Get Around Much Anymore\Come Sunday\C-Jam Blues\rich Life\Caravan 2. Waltz for Debby 3. When You Wish Upon a Star 4. Blues Etude

UK Limited edition pressed on colored vinyl. Sony. 2018. Album Tracks 1. So What 8 56 2. Freddie Freeloader 9 32 3. Blue in Green 5 27 4. All Blues 11 34 5. Flamenco Sketches 9 32

Around the Fur the follow-up to Deftones' passionate, aggressive Adrenaline, sees the California quartet expanding on the sheer rage of their earlier work, adding new, more sinister shades to their already extreme sound. The opening InchMy Own Summer (Shove It),Inch serves as an introduction to the album's sonic theme sinewy guitars and eerie whispers alternate with fast, violent crunch. Sepultura's Max Cavallero contributes guitar and vocals to InchHeadup,Inch while InchMXInch finds singer Chino trading off vocal lines with Annalynn Cunningham, (wife of Deftones' drummer Abe) in an acerbic take on the rock star mentality. Vocal acrobat Moreno attacks a variety of styles his breathy, psychotic recitations sound downright industrial, while the album's calmer, more brooding moments show his gift for haunting melody. Behind him, guitarist Stephen Carpenter's heavy wall of sound is astoundingly muscular, yet inspiringly agile. When Deftones' hellish fury hits full tilt, as it always does on this album, Moreno's voice erupts into screams which are best described as otherworldly, transforming this intense musical firestorm into a hurtling juggernaut of aggression. This LP version comes pressed on 180 gram vinyl. Album Tracks 1. My Own Summer (Shove It) 2. Lhabia 3. Mascara 4. Around the Fur 5. Rickets 6. Be Quiet and Drive (Far Away) 7. Lotion 8. Dai the Flu 9. Headup 10. MX