Pain Killer - The Great God Pan - COMPACT DISCS [CD]

Pain Killer - The Equinox [COMPACT DISCS] date 02/21/2025

The eighth and latest slate of refined retro-futuristic synth-pop by Liz Wendelbo and Sean McBride aka Xeno & Oaklander is named after and inspired by Inchthe study of what not to do, a negative image of a positive, the other side, the other Inch 'Via Negativa (in the doorway light)'. Recorded in the fall of 2023 at their modernist Connecticut home fashioned into a two-story synthesizer laboratory and mixing studio, the album is uniquely visionary in spirit yet precision in execution, a contrast central to the duo's enduring chemistry. Embryonic piano sketches were translated to nuanced modular systems, which McBride weighted with Inchharmonic padding,Inch tuned percussion, and a spectral transfer device capable of Inchrendering spasms of rhythmic overtonal filigree.Inch Despite the technological complexity of their craft, emotively the songs require no deciphering - these are technicolor widescreen anthems of the cybernetic age.The eponymous opening track sets the pace, soaring sleekly over glittering synths and call-and-response vocals about arias, shattered light, and faces in stereo. From there the record expands and contracts, cycling through a gallery of moods and masks, animated by the band's fascination with drama, Inchthe idea of personae,Inch and theatrical characters. Track by track, a murky, tragic backstory reveals itself forlorn figures navigating a treacherous mercury mine, alternately poisoned by fumes or buried in collapsing caverns. The tension between Teutonic, utopian synthetic pop and lyrical narratives of ghosts in silos, ruined mills, and the traumas of mineral excavation creates a compelling friction, alternately futurist and obsolete, elevated and subterranean. Wendelbo describes the music's polarities perfectly InchThe heavy machinic din of extraction in contrast with the enchantment of the mined precious gems and metals.InchFrom bilingual

Chicago-based experimental electronic artist with an incredibly prolific output of releases now spanning over two decades, Jamal Moss is the founder of the seminal tag Mathematics Recordings. Whether recording under his most well known moniker Hieroglyphic Being or under one of many aliases (such as I.B.M., The Sun God, IAMTHATIAM, Members Only, and more), his eclectic array of musical creations are highly sought after by a committed contingent of loyal fans. In addition to his forthcoming album 'There Is No Acid In This House' on the venerable Soul Jazz Records and a brand new Hieroglyphic Being remix of the Nina Kraviz song 'This Time', he has also released acclaimed albums for respected labels such as Ninja Tune, Hivern Discs, Boomkat, Rvng Intl, Dekmantel, Rush Hour, On the Corner, Spectral Sound, Planet Mu, Soul Jazz, and of course his own Mathematics Recordings. As Hieroglyphic Being, he has remixed some of the biggest names in electronic music such as Prins Thomas, Virgo Four, Matrixxman, New Jackson, Shinoby, St. Vincent & Nina Kraviz, Khalab, and King Gizzard! And now he has a brand new album out on double vinyl with the impossibly long official title of 'The Shittest Sounds U Don't Ever Want To Hear With Spiritual Name Titles 2 Prove How Deep I Am Volume 1'! This 14-song tour de force covers a lot of ground stylistically, but never sways from the high quality his fans have come to expect.