Party Dozen - The Living Man - Bright Yellow - VINYL LP
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Party Dozen is a sonic partnership loosely based on improvisation between saxophonist Kirsty Tickle and percussionist Jonathan Boulet. Their debut album, The Living Man, earned critical acclaim upon in 2017, including 'Album of The Week' honors at Sydney's FBi Radio amidst heavy national airplay (Triple J, Double J, RRR, 4ZZZ, 2SER). They've toured relentlessly ever since - each performance a trial of physicality and an expression of maximalism. Like the legendary Dirty Three, the members seem to meld into one mind, oblivious to the viewer. Tickle effortlessly navigates Boulet's ever-shortening attention span and wild tempo changes; form gradually materializes from chaos.
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- GenreRockDescriptionParty Dozen is a sonic partnership loosely based on improvisation between saxophonist Kirsty Tickle and percussionist Jonathan Boulet. Their debut album, The Living Man, earned critical acclaim upon in 2017, including 'Album of The Week' honors at Sydney's FBi Radio amidst heavy national airplay (Triple J, Double J, RRR, 4ZZZ, 2SER). They've toured relentlessly ever since - each performance a trial of physicality and an expression of maximalism. Like the legendary Dirty Three, the members seem to meld into one mind, oblivious to the viewer. Tickle effortlessly navigates Boulet's ever-shortening attention span and wild tempo changes; form gradually materializes from chaos.ArtistParty DozenTitleThe Living Man - Bright YellowFormatVINYLLabelTemporary Residence
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Party Dozen is a sonic partnership loosely based on improvisation between saxophonist Kirsty Tickle and percussionist Jonathan Boulet. Their debut album, The Living Man, earned critical acclaim upon in 2017, including 'Album of The Week' honors at Sydney's FBi Radio amidst heavy national airplay (Triple J, Double J, RRR, 4ZZZ, 2SER). They've toured relentlessly ever since - each performance a trial of physicality and an expression of maximalism. Like the legendary Dirty Three, the members seem to meld into one mind, oblivious to the viewer. Tickle effortlessly navigates Boulet's ever-shortening attention span and wild tempo changes; form gradually materializes from chaos.

Party Dozen is a sonic partnership loosely based on improvisation between saxophonist Kirsty Tickle and percussionist Jonathan Boulet. Their debut album, The Living Man, earned critical acclaim upon in 2017, including 'Album of The Week' honors at Sydney's FBi Radio amidst heavy national airplay (Triple J, Double J, RRR, 4ZZZ, 2SER). They've toured relentlessly ever since - each performance a trial of physicality and an expression of maximalism. Like the legendary Dirty Three, the members seem to meld into one mind, oblivious to the viewer. Tickle effortlessly navigates Boulet's ever-shortening attention span and wild tempo changes; form gradually materializes from chaos.
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Party Dozen are a duo from Sydney made up of Kirsty Tickle (saxophone) and Jonathan Boulet (percussion and sampler). Since forming in 2017, they have become renowned in Australia for their incendiary live shows, touring and playing with acts such as LIARS, Tropical F**k Storm and Viagra Boys. Exactly what Party Dozen are is completely up to the listener. Doom. Jazz. Hardcore. Psychedelic. No-wave. Industrial. Although largely instrumental, their sets are punctuated by Kirsty's unique InchsingingInch style, screaming into the bell of her saxophone which itself goes through a bevy of effects pedals. Intensely independent in everything they do, the duo write, perform and record everything themselves. 2022 will see the return of Party Dozen, first in April with the 7Inch , Fat Hans Gone Mad, for the Sub Pop Singles Club, and then in July with their third album, The Real Work, with a new tag partner in New York's Temporary Residence Ltd. The Real Work succeeds in exploring new directions but also features some familiar Party Dozen touches. Perhaps most notable is the first-ever appearance of a guest other than Kirsty or Jonathan on a Party Dozen track, with Nick Cave ad-libbing a very memorable contribution to the album's second track, InchMacca The Mutt.Inch
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