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Penderecki / Kielar-Dlugosz / Krupa - Penderecki: Concertos for Wind Instruments & Orchestra - COMPACT DISCS [CD]

SKU: 10616079

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Penderecki / Kielar-Dlugosz / Krupa - Penderecki Concertos for Wind Instruments & Orchestra [COMPACT DISCS] date 07/08/2016

Specifications

  • Genre
    Classical
    Description
    Penderecki / Kielar-Dlugosz / Krupa - Penderecki Concertos for Wind Instruments & Orchestra [COMPACT DISCS] date 07/08/2016
    Artist
    PENDERECKI / KIELAR-DLUGOSZ / KRUPA
    Title
    Penderecki: Concertos for Wind Instruments & Orchestra
    Format
    CD
    Label
    Dux Recording Prod.
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This new of works by the Poland-based Dux tag's greatest and most highly-acclaimed living fellow countryman composer Krzysztof Penderecki (b. 1933) features two concerti - the Clarinet Concerto (1984; transcribed from the Viola Concerto), the Flute Concerto (1992) and his (2001) Concerto Grosso No. 1. These concertante works were written during a time when Penderecki had synthesized experiences of Romantic provenance (typical of his middle period) with other, sometimes drastically varying sources of inspiration, while aiming at an anchoring in universal humanistic values.

Penderecki - Penderecki Concertos 7   - COMPACT DISCS [CD]

Penderecki's Concerto doppio per violin e viola was composed in 2012 on the occasion of the 200th anniversary of the Wiener Musikverein. The Concerto doppio is a piece with a clearly outlined neoromantic architecture. Although the composer often uses semitones as form shaping means, the Concerto is also saturated with many consonant solutions mitigating tensions. Penderecki's Concerto per viola ed orchestra has been transcribed for a variety of instruments. The original version was created in 1983 as a result of a composing commission by the Venezuelan government in the context of commemorating the bicentenary of birth of the hero of the fight for independence of South America- Simon Bolivar. Completed in 2003, the Concerto Grosso No. 2 for three clarinets and two basset horns, apart from the Spanish premiere has not been presented to a wider audience for 15 years. It is a composition that is difficult to consider only in the context of the inspiration with the form of musical expression developed in the Baroque.

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