Perfume Genius - No Shape - COMPACT DISCS [CD]
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2014's Too Bright showcased Mike Hadreas stepping out saucily onto a bigger stage, expressing, with the production help of Portishead's Adrian Utley, emotions arranged all along the slippery continuum from rage to irony to love. Here in 13 new ferocious and sophisticated tracks, Hadreas and his collaborators blow through church music, make out music, an array of the gothier radio popular formats, rhythm and blues, art pop, krautrock, queer soul, the RCA Studio B sound, and then also collect some of the sounds that only exist inside Freddy Krueger. Tremolo on the electric keys. Nightclubbing. Daywalking. Kate Bushing, Peter Greenawaying, Springsteening, Syreetaing. No Shape was produced by Blake Mills, the man behind Alabama Shakes' Grammy Award winning album. He added precision and expansion. Some things are pretty and some are blasted beyond recognition. Records like this, records that make you feel like you're 15 and just seeing the truth for the first time, are excessively rare. They're here to remind you that you're divine.
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- GenreRockDescription2014's Too Bright showcased Mike Hadreas stepping out saucily onto a bigger stage, expressing, with the production help of Portishead's Adrian Utley, emotions arranged all along the slippery continuum from rage to irony to love. Here in 13 new ferocious and sophisticated tracks, Hadreas and his collaborators blow through church music, make out music, an array of the gothier radio popular formats, rhythm and blues, art pop, krautrock, queer soul, the RCA Studio B sound, and then also collect some of the sounds that only exist inside Freddy Krueger. Tremolo on the electric keys. Nightclubbing. Daywalking. Kate Bushing, Peter Greenawaying, Springsteening, Syreetaing. No Shape was produced by Blake Mills, the man behind Alabama Shakes' Grammy Award winning album. He added precision and expansion. Some things are pretty and some are blasted beyond recognition. Records like this, records that make you feel like you're 15 and just seeing the truth for the first time, are excessively rare. They're here to remind you that you're divine.ArtistPerfume GeniusTitleNo ShapeFormatCDLabelMatador Records
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2014's Too Bright showcased Mike Hadreas stepping out saucily onto a bigger stage, expressing, with the production help of Portishead's Adrian Utley, emotions arranged all along the slippery continuum from rage to irony to love. Here in 13 new ferocious and sophisticated tracks, Hadreas and his collaborators blow through church music, make out music, an array of the gothier radio popular formats, rhythm and blues, art pop, krautrock, queer soul, the RCA Studio B sound, and then also collect some of the sounds that only exist inside Freddy Krueger. Tremolo on the electric keys. Nightclubbing. Daywalking. Kate Bushing, Peter Greenawaying, Springsteening, Syreetaing. No Shape was produced by Blake Mills, the man behind Alabama Shakes' Grammy Award winning album. He added precision and expansion. Some things are pretty and some are blasted beyond recognition. Records like this, records that make you feel like you're 15 and just seeing the truth for the first time, are excessively rare. They're here to remind you that you're divine.

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2020 . Set My Heart On Fire Immediately is the fifth studio album from Perfume Genius that will be released May 15th on Matador Records. It sees artist and musician Mike Hadreas re-teaming with GRAMMY-nominated producer Blake Mills and features contributions from musicians Jim Keltner, Pino Palladino and Matt Chamberlin. It was recorded in Los Angeles, where Perfume Genius settled in 2017 with longtime partner and musical collaborator Alan Wyffels. 'I wanted to feel more open, more free and spiritually wild,' says Hadreas, 'and I'm in a place now where those feelings are very close- but it can border on being unhinged. I wrote these songs as a way to be more patient, more considered - to pull at all these chaotic threads hovering around me and weave them in to something warm, thoughtful and comforting.'
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That maxim of beauty springing from the darkest of places is one of the oldest in the book to be sure, but it is nonetheless more than applicable in this instance. After spending his teenage years careening dangerously out of control, Seattle native Mike Hadreas finally faced up to the darkness that plagued him, moved away from New York and threw himself into a spell of self-imposed isolation in his mother's house in the suburbs. It is here that, filled with pent-up emotion and frustration and no way to express it, Hadreas sat down at a piano one day and found his voice as Perfume Genius. He wrote over 10 more songs in the space of a year, with this record, InchLearningInch, the staggering end result. The single InchMr PetersonInch, released in March, may have captivated listeners with it's strange beauty; it's gorgeous, piano-led simplicity belying it's subject matter of suicide and perversion, but that is only the tip of the iceberg. While the 10 tracks comprising InchLearningInch may at times feel acutely, almost painfully close to the bone, it is also, at the same time, a deeply cathartic and incredibly moving experience, and one which travels the gamut of human emotion. This is unsurprising perhaps, as Hadreas has sequenced the album in chronological order The title track is the first song he ever wrote, with the following songs all tracked in order of when he wrote them. This record, therefore, is one which slowly grows and expands over it's running length From the fragile, ghostly whisper of the title track to the shimmering, slow-motion ballad InchWhenInch, the sorrowful hymnals of InchGay AngelsInch to the yearning InchYou Won't B Here TomorrowInch. By the time the album closes with the last, crystalline notes of InchNever DidInch, there's something else too - a sense of healing, of hope amidst the horror, flickering but defiant, enough to make your heart b
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