Randy Newman - Land of Dreams - COMPACT DISCS [CD]

You'd have to do some heavy cross-licensing to put together a proper single-disc Randy Newman collection. Well, Rhino did just that, squeezing Short People; I Love L.A.; It's Money That I Love; You've Got a Friend in Me ; his original versions of Mama Told Me Not to Come; You Can Leave Your Hat On, and Feels Like Home, and 14 more!

Digitally remastered edition of this 1992 album including one previously unreleased bonus track. Almost entirely out on their own, out of step with the times, Disco Inferno were widely ignored and underappreciated during their (pre-internet) existence. Remaining largely unknown beyond a small but slowly expanding cult of devotees, they were probably the most ambitious and isolated band of the '90s. Over a six-year span (1989-95) they were also quite simply, jaw-droppingly great - a virtually peerless group mining a steady stream of uncompromising, pioneering recordings. One of the first wave of 'post-rock' acts (and perhaps it's ultimate example), they combined avant-garde aesthetics with a basis in solid pop hooks, credibly depicting suburban alienation and national decay through embittered, intelligent lyrics. Whilst it's now almost second nature for a band to incorporate digital technology into their armoury, you'd struggle to find anyone who went anything like as far as Disco Inferno. In 1992, they took the quantum leap from their modest beginnings to totally rewire themselves and become the most radical, forward-thinking guitar band on the planet, with a revolutionary sample-based approach that was simply years ahead of the curve. Whilst numerous acts were making use of the sampler and MIDI technology, no other band integrated it so thoroughly into the process. DI didn't simply tack on a dance beat or spice things up with the addition of a few novel sonics or quirky quotations. The technology was hard-wired into the very heart of their music. Veering between the deeply challenging and the downright catchy, they continually attempted to push themselves forwards, resulting in releases that consistently redefined the boundaries.

Two CD holiday . Christmas the time of the year when thoughts turn to fun, family and jollity, and of course reggae! Yes, despite the music's long association with blues skies and summer, the festive season is of course also a time of great celebration in the Caribbean and from the 1960s to the 80s almost every Jamaican producer of note marked the holiday by releasing a seasonal recording performed by a leading recording artist. And of all the Kingston's major music makers, none proved more committed to celebrating Christmas than Joe Gibbs, who between 1978 and 1982 released two albums, largely comprising medleys that featured such renowned performers as Dennis Brown, Horace Andy, Jacob Miller, Culture, June Lodge. The Mighty Diamonds, Trinity and Sly & Robbie. Both these celebratory collections feature on the first disc on this fun-filled set, which also features popular singles from Kodak &Liza and Home T-4. Disc Two showcases two more giants of the Jamaican music scene in John Holt and Yellowman, whose respective long-players are arguably the best-selling reggae Christmas single artist LPs ever to see issue. So, for all those tired of hearing the same old records and seeking to spice up their holiday with some irresistible Caribbean sounds, this 2CD set, jam-packed with festive favourites performed by some of Jamaica's finest is a must. 100% guaranteed to have you and all the family skanking around the Christmas tree