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Stephanie de Failly - Pohle: Complete Sonatas & Ballet Music - COMPACT DISCS [CD]

SKU: 10639501

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David Pohle was one of Heinrich Schütz's most talented pupils although, unlike his master, Pohle did not compose only sacred vocal works; he also created a substantial body of instrumental music, including some thirty sonatas for four to eight instruments and a number of ballet suites. Pohle was very much an heir to the polyphonic tradition and was certainly influenced by the playing of Italian violinists, and particularly so by Carlo Farina, who lived in Dresden at that time. Pohle not only made use of Italian influences but also adapted models from French dance music this explains the great diversity of structures in these sonatas, which in some respects also herald the outbursts of the stylus fantasticus. This is a revelatory first recording of Pohle's complete sonatas.

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  • Genre
    Classical
    Description
    David Pohle was one of Heinrich Schütz's most talented pupils although, unlike his master, Pohle did not compose only sacred vocal works; he also created a substantial body of instrumental music, including some thirty sonatas for four to eight instruments and a number of ballet suites. Pohle was very much an heir to the polyphonic tradition and was certainly influenced by the playing of Italian violinists, and particularly so by Carlo Farina, who lived in Dresden at that time. Pohle not only made use of Italian influences but also adapted models from French dance music this explains the great diversity of structures in these sonatas, which in some respects also herald the outbursts of the stylus fantasticus. This is a revelatory first recording of Pohle's complete sonatas.
    Artist
    Stephanie de Failly
    Title
    Pohle: Complete Sonatas & Ballet Music
    Format
    CD
    Label
    Ricercar
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David Pohle was one of Heinrich Schütz's most talented pupils although, unlike his master, Pohle did not compose only sacred vocal works; he also created a substantial body of instrumental music, including some thirty sonatas for four to eight instruments and a number of ballet suites. Pohle was very much an heir to the polyphonic tradition and was certainly influenced by the playing of Italian violinists, and particularly so by Carlo Farina, who lived in Dresden at that time. Pohle not only made use of Italian influences but also adapted models from French dance music this explains the great diversity of structures in these sonatas, which in some respects also herald the outbursts of the stylus fantasticus. This is a revelatory first recording of Pohle's complete sonatas.

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