Summoner - Day Of Doom Live - VINYL LP

Magnetic Eye Records presents a blistering live document of flagship MER band Summoner ripping it up onstage at the Day of Doom tag showcase at Brooklyn's Saint Vitus Bar. This once-in-a-lifetime gathering was held in November 2019 to celebrate the tag's first decade. It featured nine roster acts performing back-to-back, with the four headline sets captured live by Chris Johnson (Deafheaven, Summoner) to commemorate the event as a set of exclusive live albums. Over the course of three albums and appearances on several Redux releases, Summoner have honed a sound which draws heavily from classic 70s and early 80s metal, as well as more modern spacefaring psychedelics, with lyrical themes rooted in sci-fi and fantasy. Day of Doom Live presents the signature riffs and solos of dual guitarists AJ Peters and Joe Richner and the soaring, layered vocals of bassist/singer Chris Johnson (also bassist in death metal luminaries Deafheaven) delivered in a live setting, blasting forth thunderous, catchy songs propelled beyond the realm of light and into oblivion.

Rumah Sakit were a four-piece rock band based in San Francisco, CA. The group began to take shape in 1998 after guitarist John Baez, bassist Kenseth Thibideau and drummer, Jeff Shannon, all moved from Redlands to San Francisco. Fully formed once guitarist Mitch Cheney quickly joined, the band settled on the name Rumah Sakit - a literal Indonesian translation of Inchsick roomInch (aka hospital) - and a sound that fused the frenetic energy of Red-era King Crimson with a meditative melodicism that starkly contrasted the vast majority of so-called Inchmath-rockInch bands of the era. Soon thereafter, Rumah Sakit entered the studio for the first time to record what would become their eponymous debut album.Rumah Sakit was recorded in 1999 at The Music Annex - a hallowed megaplex that counts diverse icons such as Erik Satie, The Tubes, Michael Hedges, Montrose, and American Music Club amongst it's many historical clients - in two somewhat clandestine overnight sessions with good friends and studio interns, Jay & Ian Pellicci. The album was made with a Inchno tricksInch philosophy that would come to define the band's approach to performing and documenting their music. Recorded entirely live with no overdubs in very few takes, the band embraced the art of using the natural presence of the room and strategic gear placement to capture the purest and most accurate representation of those songs in those moments. In an era that was quickly being transformed by the burgeoning popularity of ProTools and meticulously manicured, maximalist mixes, the world inside of Rumah Sakit was a refreshing respite.A year later, in the fall of 2000, Rumah Sakit flew renowned Chicago recording engineer and Shellac bassist, Bob Weston, out to San Francisco to spend two brief days recording an EP at John Vanderslice's Tiny Telephone Recording. This EP would be released as part of Temporary Residence's

Record Store Day exclusive.