Takesha Mesh Kizart - Marie Victoire - COMPACT DISCS [CD]

SOMM Recordings announces Volume 3 of the Tessa Uys and Ben Schoeman Piano Duo's ground-breaking series exploring Franz Xaver Scharwenka's arrangements of Beethoven Symphonies. A composer of no mean stature in his own right, Scharwenka's transcriptions were once widely admired, his treatments of Beethoven's symphonies a high-watermark of the genre. Volume 1 (SOMMCD 0637) met with universal acclaim; Gramophone praising the InchmasteryInch of the performances, BBC Music finding it Inchutterly beguilingInch, and MusicWeb International declaring InchI was blown away by this magnificent recordingInch. Of Volume 2 (SOMMCD 0650), Gramophone hailed it as Incha thoroughly rewarding, often revelatory view of this over-played and over- recorded masterpiece [Beethoven's Eroica Symphony]Inch. BBC Music Magazine said InchIn terms both of precise co-ordination and engaging interplay, the performances are state-of-the-artInch. Volume 3 couples perhaps the least known of Beethoven's nine symphonies, No.2 in D major, and the extraordinary scale and innovation of No.7 in A major. As Robert Matthew-Walker points out in his informative booklet notes, perhaps the most astonishing aspect of the Second Symphony, composed during a period of crippling self-doubt and encroaching deafness, is that it is Inchso positive and full of life, tingling with vitality and energyInch. Of the Seventh Symphony, he writes, InchBeethoven poses further challenges to his interpreters - technical as well as musical... Nothing like this had ever been expressed in music before.Inch Born in Cape Town and a Royal Academy of Music Associate, Tessa Uys has an impressive reputation as a concert and broadcasting performer, appearing at major venues around the world. Her multi-prize-winning South African compatriot Ben Schoeman has a busy international profile and is currently a senior lecturer in piano and musicology a

Twin giant towers of amps grinding out minimal beat bloop, the transient sound molecules smell of burning gear and the floor of the pit-this is organic, electronic music at it's finest. Dance? Why not. Freak out? For sure. Brothers from a different mother (Bjorn Copeland and Aaron Warren) à la two-thirds of Black Dice have come together with this fantastic debut [Flaccid Mojo] for us. These are mean beat vipers, spitting and tumescent on the abattoir floor.I would call it drug music, but I'm not sure what drugs these humans consume. Stem cell and adrenal gland cocktails I'm guessing. Futuristic and primal it is, beats from the Thunder-Dome, fight music for fuckers. I've seen them on two separate occasions blow the power for an entire building. Baller move, boys. Produced perfectly by Chris Coady (look him up to be impressed). This record is a burning car in a field and I love it.InchFor fans of Black Dice, Container, Whitehouse, Negativland, Ralph Records, minimal beats à la Profan, vintage Japanese noise, Severed Heads, windburn and chapped lips.Inch -John Dwyer

Catherine Zarcate - Les Fils Du Vent [COMPACT DISCS] date 04/04/2003