When using a microphone to record, the sound source generates two types of sound. One is called direct sound which enters the microphone directly from the source, and the other is called reflected sound which the sound it has been boucing off the walls, ceiling and back into the microphone. Generally, the reflected sound can sound very different from home and the acutal recording studio, despite the recording equipment and settings. In most cases, the reflected sound at home does not sound very good because the room is not built for recording. The sophisticated acoustic design creates better reflected sound which makes the recordings sound good in the standard recording studio. It is very difficult to create a good home recording environment with right sound reflection. If the acoustic reflection does not resonnace well, the recordings may not sound as clean and clear, and may be an intereferance to your mix epecially it is difficult to shape your sound with reverb and delay. In these years, with the increased popularity of DAWs being used for editing with effects, it is more important than ever to record with a good sound quality in the beginning. When room acoustics does not sound good in the room, then the dry sound will be the essential solution for your home recording environment. The TM-AR1 Acoustic Control Filter does not only absorb the reflected sound but also isolates the reflections away from the microphone. By installing this tool, the microphone picks up only the direct sound with great frequncy response, which enables your mixes and editings to be done with ease. It is particularly effective when used for recording vocal, wind instrument, acoustic guitar or any other instrument individually.
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When using a microphone to record, the sound source generates two types of sound. One is called direct sound which enters the microphone directly from the source, and the other is called reflected sound which the sound it has been boucing off the walls, ceiling and back into the microphone. Generally, the reflected sound can sound very different from home and the acutal recording studio, despite the recording equipment and settings. In most cases, the reflected sound at home does not sound very good because the room is not built for recording. The sophisticated acoustic design creates better reflected sound which makes the recordings sound good in the standard recording studio. It is very difficult to create a good home recording environment with right sound reflection. If the acoustic reflection does not resonnace well, the recordings may not sound as clean and clear, and may be an intereferance to your mix epecially it is difficult to shape your sound with reverb and delay. In these years, with the increased popularity of DAWs being used for editing with effects, it is more important than ever to record with a good sound quality in the beginning. When room acoustics does not sound good in the room, then the dry sound will be the essential solution for your home recording environment. The TM-AR1 Acoustic Control Filter does not only absorb the reflected sound but also isolates the reflections away from the microphone. By installing this tool, the microphone picks up only the direct sound with great frequncy response, which enables your mixes and editings to be done with ease. It is particularly effective when used for recording vocal, wind instrument, acoustic guitar or any other instrument individually.

A studio-grade boom arm for your premium microphone, Wave Mic Arm LP sits below the shoulder line for an unobstructed view. 360-degree horizontal rotation and 90-degree vertical rotation allow maximum maneuverability. Integrated cable channels with magnetic covers keep your setup tidy, thread adapters ensure compatibility with standard mic mounts, and the padded clamp fits popular desk designs. Wave Mic Arm LP does more than free up space, reduce vibration, and optimize your audio quality. Push it aside when you need your workspace. Swing it back when you go live. And make a stunning impression on and off camera.

Wave Mic Arm Pro features superior suspension technology for ultra-smooth, silent adjustments. Complete with hidden cable channels, customizable hinge caps, and a heavy-duty, all-metal build, it’s the mic arm for pros. With a low-profile, foldaway design ensuring an unobstructed view and clutter-free workspace. Push it aside when you need your desk, swing it back round when you go live. Supporting up to 3kg/6.6 lbs, Wave Mic Arm Pro provides optimal positioning and stability even for heavy microphones, making it ideal for professional broadcast, recording, or podcast environments. Set it up once, enjoy free-floating maneuverability forever.

The Saramonic SR-MH1 is a universal handheld transmitter holder for mini clip-on 2.4GHz clip-on mic transmitters. It is an extremely affordable way for wireless 2.4GHz users to turn their clip-on transmitter into a versatile wireless handheld microphone. Ideal for handheld interviews, presentations, news reporting, speeches, podcasts, overhead booming, mounting a mic on a stand or podium, and anywhere you need a handheld mic. Simply slide-on your clip-on transmitter onto the SR-MH1 holder, and you have a powerful wireless handheld microphone.
| Pros for TASCAM - Microphone Reflection Filter & Enclosure | |||
|---|---|---|---|
| There were no pros for this product— | Stability, Build Quality, Cable Management, Setup | There were no pros for this product— | There were no pros for this product— |