The Secret Sisters - Saturn Return - VINYL LP

The Stockholm based post-punk/darkwave band A PROJECTION is known for it's powerful, energetic live shows. The band has been described as Incha danceable mixture of post punk & electronica, with both depth & edgeInch. A Projection puts a unique, intriguing spin on the post-punk genre, placing itself in the intersection between the synth & post-punk music of the 80s & a more contemporary electronic sound

Portland, Oregon-based musician Graham Jonson started early playing piano as a toddler, finding the music of J Dilla in fifth grade, and self-releasing singles by age 16. First appearing under the name quickly, quickly in 2017, his project's profile has since grown fervently with fans in the 'chill beats'-oriented corners of SoundCloud, YouTube, and Reddit. Some of his early tracks tally north of 10 million plays on Spotify. The figure isn't meant to flex as much as it is to point out that Jonson's work has resonated without the traditional industry levers; he is a wunderkind DIY internet success story, but, by his own assessment at the present age of 20, he's only now getting serious. With The Long And Short Of It, his Ghostly International debut, Jonson reinvents his project as a full-fledged songwriter, vocalist, and arranger, playing nearly everything from drums to keys and guitar. The resulting sound straddles jazz, hip hop, R&B, and psych-pop while suggesting a wholly genre-less path forward. Recorded during and after a short-lived move to Los Angeles, songs find Jonson cool and comfortable, navigating the planes between anxiety and apathy, distance and desire with lyrical vulnerability and introspection.A student of the Stones Throw catalog (his favorite is Madlib's Quasimoto), Jonson remains rhythm-driven at heart, trusting his instincts in this new palette of organic instrumentation and verse-chorus structure. Tracks glide and bump with tasteful care to tempo as his scene-building and storytelling knack comes into focus. Jonson's past material often suited passive listenership, the kind of bedroom produced beat music that offers secondary utility and function as a companion to primary activities. The Long and Short of It showcases an evolutionary step into a style that uses chops cultivated in that niche that demand a more active listenership. That attention

180gm vinyl LP pressing includes . These songs came to be a record accidentally and unintentionally. They were written sporadically over a tumultuous two years riddled with more valleys than mountaintops. We considered it a victory when we could actually make ourselves get together to write, even if we struggled to produce anything of any quality. Creativity was tough amidst half-hearted business relationships, being dropped from our tag, inconsistent touring, and filing personal bankruptcy. It took a toll on everything our confidence, our outlook, our health, our happiness. In late 2015, our friend Brandi Carlile invited us to Seattle to play a couple of shows in her hometown. It was there that we explained all that had transpired with our career, how we were barely staying afloat. It was also there that she told us she would be producing our next record. Once we saw that this fantasy could actually become a reality, the frantic search for enough songs to make an album began. To oursurprise, we had many things to say, and though some were difficult to write and slow to reveal themselves, we pushed onward. The songs here carry a common thread of what remained when we felt like we'd lost everything. It was in the hardest times that we saw the core of where our music and our souls originate. We still had our homes, our family, our friends, and our fans. This is not a record about rising from the ashes. Rather, it is a deep look into ourselves in an attempt to put out the flames. These songs are our catharsis; an effort to forgive, an effort to heal, an effort to look back into the darkness with newfound light and undeterred fearlessness, an effort to redeem ourselves. The damage was done, but our hearts remained; this is the product of that damage, for worse and for better. - Laura & Lydia (2017).