The Secret Sisters - You Don't Own Me Anymore - VINYL LP
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180gm vinyl LP pressing includes . These songs came to be a record accidentally and unintentionally. They were written sporadically over a tumultuous two years riddled with more valleys than mountaintops. We considered it a victory when we could actually make ourselves get together to write, even if we struggled to produce anything of any quality. Creativity was tough amidst half-hearted business relationships, being dropped from our tag, inconsistent touring, and filing personal bankruptcy. It took a toll on everything our confidence, our outlook, our health, our happiness. In late 2015, our friend Brandi Carlile invited us to Seattle to play a couple of shows in her hometown. It was there that we explained all that had transpired with our career, how we were barely staying afloat. It was also there that she told us she would be producing our next record. Once we saw that this fantasy could actually become a reality, the frantic search for enough songs to make an album began. To oursurprise, we had many things to say, and though some were difficult to write and slow to reveal themselves, we pushed onward. The songs here carry a common thread of what remained when we felt like we'd lost everything. It was in the hardest times that we saw the core of where our music and our souls originate. We still had our homes, our family, our friends, and our fans. This is not a record about rising from the ashes. Rather, it is a deep look into ourselves in an attempt to put out the flames. These songs are our catharsis; an effort to forgive, an effort to heal, an effort to look back into the darkness with newfound light and undeterred fearlessness, an effort to redeem ourselves. The damage was done, but our hearts remained; this is the product of that damage, for worse and for better. - Laura & Lydia (2017).
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- GenreRockDescription180gm vinyl LP pressing includes . These songs came to be a record accidentally and unintentionally. They were written sporadically over a tumultuous two years riddled with more valleys than mountaintops. We considered it a victory when we could actually make ourselves get together to write, even if we struggled to produce anything of any quality. Creativity was tough amidst half-hearted business relationships, being dropped from our tag, inconsistent touring, and filing personal bankruptcy. It took a toll on everything our confidence, our outlook, our health, our happiness. In late 2015, our friend Brandi Carlile invited us to Seattle to play a couple of shows in her hometown. It was there that we explained all that had transpired with our career, how we were barely staying afloat. It was also there that she told us she would be producing our next record. Once we saw that this fantasy could actually become a reality, the frantic search for enough songs to make an album began. To oursurprise, we had many things to say, and though some were difficult to write and slow to reveal themselves, we pushed onward. The songs here carry a common thread of what remained when we felt like we'd lost everything. It was in the hardest times that we saw the core of where our music and our souls originate. We still had our homes, our family, our friends, and our fans. This is not a record about rising from the ashes. Rather, it is a deep look into ourselves in an attempt to put out the flames. These songs are our catharsis; an effort to forgive, an effort to heal, an effort to look back into the darkness with newfound light and undeterred fearlessness, an effort to redeem ourselves. The damage was done, but our hearts remained; this is the product of that damage, for worse and for better. - Laura & Lydia (2017).ArtistThe Secret SistersTitleYou Don't Own Me AnymoreFormatVINYLLabelNew West Records
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180gm vinyl LP pressing includes . These songs came to be a record accidentally and unintentionally. They were written sporadically over a tumultuous two years riddled with more valleys than mountaintops. We considered it a victory when we could actually make ourselves get together to write, even if we struggled to produce anything of any quality. Creativity was tough amidst half-hearted business relationships, being dropped from our tag, inconsistent touring, and filing personal bankruptcy. It took a toll on everything our confidence, our outlook, our health, our happiness. In late 2015, our friend Brandi Carlile invited us to Seattle to play a couple of shows in her hometown. It was there that we explained all that had transpired with our career, how we were barely staying afloat. It was also there that she told us she would be producing our next record. Once we saw that this fantasy could actually become a reality, the frantic search for enough songs to make an album began. To oursurprise, we had many things to say, and though some were difficult to write and slow to reveal themselves, we pushed onward. The songs here carry a common thread of what remained when we felt like we'd lost everything. It was in the hardest times that we saw the core of where our music and our souls originate. We still had our homes, our family, our friends, and our fans. This is not a record about rising from the ashes. Rather, it is a deep look into ourselves in an attempt to put out the flames. These songs are our catharsis; an effort to forgive, an effort to heal, an effort to look back into the darkness with newfound light and undeterred fearlessness, an effort to redeem ourselves. The damage was done, but our hearts remained; this is the product of that damage, for worse and for better. - Laura & Lydia (2017).
As we age, we face obstacles that are beyond our control. Some forces are internal insecurity, anxiety, fear. Some are external the loss of loved ones, an unjust system and the fragility of time, Yet the mark of maturity is how you respond when you realize you're not in control. Where do you find your resilience? This album is a reflection of us coming to terms with how to find our power in the face of an unfair world. These songs lead listeners past 'where happy man searches, to a place only mad women know.' We question our purpose, our relationships, our faith. Trading the fears of our youth for the dread that rages within us as mature women. With Saturn Return, our hope is that women can feel less alone in their journey through the modern world. We need each other more than we ever have; the less competition and the more inclusiveness and understanding, the better. We are southern women in the 21st century, convicted by our beliefs. The Secret Sisters (2019)
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One of the finest pianists and composers in all of jazz, Roger Kellaway has consistently released challenging and rewarding music for almost five decades. He has been the recipient of numerous awards, and has backed a wide variety of artists, from Sonny Rollins to Van Morrison. Perhaps best known as the composer and performer of the theme for the hit TV series, All in the Family, Kellaway is better known to jazz fans for his innovative Cello Quartet recordings of the 1970s. Presented here is his rare solo piano recording, simply titled InchSolo Piano,Inch originally released in 1978 and finally seeing the light of day in the digital realm. Includes Kellaway's performance of the theme for the hit TV series, All in the Family, InchRemembering You.Inch All selections newly remastered.
In 2020, during the pandemic and second lockdown, the opportunity arose for Oracle Sisters to record their debut album on the island of Hydra. Tourist free, locked down with only fishing boats in the harbour and locals as the backdrop, it proved to be the perfect peaceful place to work.In a studio-converted Old Carpet Factory, 35 songs were written and 20 were recorded, with 11 making the final track listing. The songs reflect the feeling of being suspended in time, locked down in a safe place but aware of the fragility of the moment. InchHydranismInch acknowledges the spirit of hedonistic escape inherent on the island while giving a nod to the sage atmosphere it provided to lose oneself in reveries and create unencumbered.The recordings are built on a skeleton of live takes with vocals and acoustic guitars recorded in the kitchen, the drums (Cyprien Jacquet a.k.a Wend¥ Kîll) and bass (Jerome Goldet) in the old furnace room, while the vocals done in the ballroom and the handclaps the shower. The album took on the shape of the Old Carpet Factory, suspended on a steep incline overlooking the Hydra harbour and the distant hills of the Peloponnese. Layering upright and baby grand pianos, with the help of touring band member Reni Lane, they embraced the lofty resonance inherent in the hammered harp; harmonies followed while a sauce simmered on the stove. In style and tradition, the meat and bones of the sound embraces the style of larger than life ballads, intimate folk songs and table thumping rousers, from there to glam rock to the toy sounds you might hear in the neon gaming district of Shibuya, Tokyo. All these sounds reflect the life and travels of the band and their openness to use whatever they encounter on their path.A1. Tramp Like YouA2. Hail MaryA3. RBHA4. Hot SummerA5. Cigale SongA6. Peat Fire MorningB1. Ruby On the RunB2. Paris IIIB3. Sailor SongB4. Lunch and J
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