Virtuelles Orchester - Oliver Twist Now - COMPACT DISCS [CD]
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Uwe Ungerer writes InchThe orchestral piece InchOliver Twist Now - Symphonic PicturesInch, which I composed between November 2020 and February 2021, is based on a musical for children's and youth choir, which I had already successfully performed several times in 2016 as a stage work with choir, soloists and a six-piece instrumental cast. A great inspiration for my nearly one-hour orchestral composition were the works of Stephen Sondheim (musical), Danny Elfman (film music) as well as many classical models from Richard Strauss to Dimitri Shostakovich. When working on the orchestral pieces, there were two main challenges for me First, I didn't want to just create a blown-up orchestral version from the small original, i.e., simply distribute the already existing notes among 40 instruments. Since I had decided on a large, romantic orchestra (expanded with electronic organ, piano and extensive percussion), it was important to me that the large orchestra interprets the musical numbers in a new way, elicits new facets from them and also makes use of compositional possibilities that one does not have with six solo instruments. The second challenge was that one should not have the feeling of missing something while listening. My InchSymphonic PicturesInch include eleven pieces that contain the most important motifs, melodies and songs. Some of them I designed as a medley, other pieces follow the flow of the original. The orchestral versions are meant to stand on their own as program music, and of course it should be possible to perform them in context or individually in concerts.Inch
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- GenreClassicalDescriptionUwe Ungerer writes InchThe orchestral piece InchOliver Twist Now - Symphonic PicturesInch, which I composed between November 2020 and February 2021, is based on a musical for children's and youth choir, which I had already successfully performed several times in 2016 as a stage work with choir, soloists and a six-piece instrumental cast. A great inspiration for my nearly one-hour orchestral composition were the works of Stephen Sondheim (musical), Danny Elfman (film music) as well as many classical models from Richard Strauss to Dimitri Shostakovich. When working on the orchestral pieces, there were two main challenges for me First, I didn't want to just create a blown-up orchestral version from the small original, i.e., simply distribute the already existing notes among 40 instruments. Since I had decided on a large, romantic orchestra (expanded with electronic organ, piano and extensive percussion), it was important to me that the large orchestra interprets the musical numbers in a new way, elicits new facets from them and also makes use of compositional possibilities that one does not have with six solo instruments. The second challenge was that one should not have the feeling of missing something while listening. My InchSymphonic PicturesInch include eleven pieces that contain the most important motifs, melodies and songs. Some of them I designed as a medley, other pieces follow the flow of the original. The orchestral versions are meant to stand on their own as program music, and of course it should be possible to perform them in context or individually in concerts.InchArtistVirtuelles OrchesterTitleOliver Twist NowFormatCDLabelArs Produktion
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In my music I am looking for the traces of beauty and depth of expression that radiate from the tone constellations. This is nothing new, but always a wonderful challenge.An aesthetic of prohibitions is as alien to me as an indiscriminate deployment of stylistic means. Every composition has it's determination and derives from this it's contours, the sequence of harmonic colours, the nature of the melodic and formal configuration. The so-called material is set in motion by the initial idea, the inspiration, ultimately flowing into the interplay of it's own momentum and control This is the most exciting stage of the composer's work.When the material is consistent and the ear, as the highest authority, has made it's judgement on the sequence of sounds, then, perhaps, the magic of an art that can speak emerges, where memory and imagination are fused into a work. Thomas Daniel Schlee
Includes 4 bonus tracks! This quintessential features Marty Robbins' most celebrated album, originally issued on the Columbia tag InchGunfighter BalladsInch and InchTrail SongsInch (1959). With his cowboy albums, Robbins helped keep western music alive during the late '50s and early '60s, and the warm, affectionate spirit of this music illustrates why. Here you will find such country favorites as InchEl Paso,Inch InchBig IronInch and InchCool Water,Inch as well as classic versions of InchStreets of LaredoInch and Inch Billy the Kid,Inch among other western standards. These songs are about work, love, travel, death, the beauty of the American West, and living life on your own terms (and paying the price for it). Robbins' subjectis mostly the West of myth and movie, which benefits from his ability as a storyteller - most of the tracks may tell tales heard or seen 100 times onscreen, but he makes listeners feel like this is the first time they're hearing them, creating the excitement and anticipation of a poet in the middle of a spellbinding recital. This sensational album has been remastered and packaged in this very special collector's edition, which also includes 4 bonus tracks from the same period.
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