Wurttembergisches Kammerorchester Heilbronn - Three Flute Concertos - COMPACT DISCS [CD]
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Georg Abraham Schneider was born in Darmstadt in the same year as Beethoven. His musical talent became apparent at a very early age, and after an educational trip to Rheinsberg, he was engaged by Prince Heinrich of Prussia as a horn player for the Rheinsberg Chapel. The composer Schneider is a representative of the spirit of Haydn and Mozart, who wanted to be understood as their preserver. In the reviews, he was attested to compositional skill and a dignified artistry that was committed to the bourgeois taste of the time. Schneider wrote a remarkably large number of compositions for flute, including four flute concertos, about 90 flute duets, and 60 quartets for flute and string trio. The charming, very light-hearted, three-movement Flute Concerto op. 12 is in classical concerto form, and the Mozart model is clearly audible. His Concerto op. 53 conforms to the classical scheme of the instrumental concerto, with ample opportunity for soloist Gaby Pas-Van Riet to display her virtuosity. The work charms with lovely delicate themes that offer the flute every opportunity to explore the instrument's tonal spectrum. In the Concerto op. 63, printed in Leipzig in 1812, the orchestra is augmented with two trumpets and timpani in addition to the double instrumentation of oboes, bassoons and horns. Schneider here demonstrates his ability to orchestrate a concerto well and to use the winds effectively.
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- GenreClassicalDescriptionGeorg Abraham Schneider was born in Darmstadt in the same year as Beethoven. His musical talent became apparent at a very early age, and after an educational trip to Rheinsberg, he was engaged by Prince Heinrich of Prussia as a horn player for the Rheinsberg Chapel. The composer Schneider is a representative of the spirit of Haydn and Mozart, who wanted to be understood as their preserver. In the reviews, he was attested to compositional skill and a dignified artistry that was committed to the bourgeois taste of the time. Schneider wrote a remarkably large number of compositions for flute, including four flute concertos, about 90 flute duets, and 60 quartets for flute and string trio. The charming, very light-hearted, three-movement Flute Concerto op. 12 is in classical concerto form, and the Mozart model is clearly audible. His Concerto op. 53 conforms to the classical scheme of the instrumental concerto, with ample opportunity for soloist Gaby Pas-Van Riet to display her virtuosity. The work charms with lovely delicate themes that offer the flute every opportunity to explore the instrument's tonal spectrum. In the Concerto op. 63, printed in Leipzig in 1812, the orchestra is augmented with two trumpets and timpani in addition to the double instrumentation of oboes, bassoons and horns. Schneider here demonstrates his ability to orchestrate a concerto well and to use the winds effectively.ArtistWurttembergisches Kammerorchester HeilbronnTitleThree Flute ConcertosFormatCDLabelCpo Records
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?Johann Joachim Quantz had already made a career as a flutist at the Dresden court in the chapels of Augustus the Strong when he was heard by the young Crown Prince Frederick of Prussia during a state visit to Berlin. He immediately engaged him as a flute teacher. Later, after he had been crowned king, he hired Quantz as a Inchcourt composerInch without any obligation to play in the orchestra. His duties were to organise and conduct the royal evening concerts and to give flute lessons to the sovereign. This obligation gave rise to a large number of concertos, which are, however, little known because only three copies were ever made for the king's various residences, Inchpour CharlottenbourgInch, Inchpour Sans SouciInch and Inchpour le nouveau PalaisInch. Thus, in 2012, the recording of the renowned transverse flutist Frank Theuns was a great achievement, whose selection of four flute concertos by Johann Joachim Quantz are now available again on CD as a re- .
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