Marie Friederike Sch der - Amor - SUPER-AUDIO CD [Super Audio CD (SACD)]

This album recording, curated by violinist Marie Schreer, is based on notions of origin and belonging-geographically, emotionally, and linguistically. It is centred around three new works by Marie Schreer, Aaron Holloway-Nahum, and Ashkan Behzadi, as well as a new poem by Taher Adel. According to The Strad, German violinist Marie Schreer, who lives in the UK, is Incha master of various musical genres,Inch a compelling interpreter of new works, and a prominent representative of the Western classical tradition.

Venus; goddess of sensuality and great orchestrator of pleasures; pulls the strings of opera characters as if they were puppets in the land of Tendre. With great delectation; Marie Perbost invokes the goddess and the heroines of French opera from the century of Louis XV to embody all the victims of passions unleashed by Aphrodite. There are masterpieces and discoveries here; from the satirical mockery of Madness in Rameau's Platée to the virtuosic pages of Mondonville in Les Fêtes de Paphos. By turns pastoral and piquant; tender and burning; the divine Marie Perbost; supported by Gaétan Jarry; embraces all the music of love under Louis XV. A medley of jesting and fleeting romances; grace and libertinism; experience the delirium of the senses titillated by Eros and Cupid! Album Tracks 1. Castor Et Pollux 2. Les Romans, 1736 - Première Entrée, la Bergerie, Scène 6 3. Ismène 4. Les Moissonneurs, 1763 - Acte III, Scène 7 5. Platée, 1745 - Acte III, Scène 4 6. Ismène, 1747 - Acte Unique, Scène 3 7. Hippolyte Et Aricie, 1733 - Acte III 8. Castor Et Pollux, 1737 - Prologue, Scène Première 9. Les Fêtes de Thalie, 1714 - Deuxième Entrée, la Veuve, Scène 5 10. Platée 11. Les Fêtes de Paphos, 1758 - Troisième Entrée, L'amour Et Psyché 12. Scanderberg, 1735 - Prologue, Scène 3 13. Castor Et Pollux 14. Platée

The young Swiss soprano Marie Lys was pleasantly surprised to discover that many of the roles she has sung in George Frideric Handel's works in recent years were written for the spectacularly virtuoso soprano Anna Maria Strada, Handel's prima donna in 1730s London. Accompanied by the Abchordis Ensemble and Andrea Buccarella, the group's conductor and harpsichordist, Marie Lys decided to dedicate her first solo album on Glossa to InchLa StradinaInch, with an in-depth study of Anna Maria's life on stage and the extraordinary vocal skills her roles demanded. Marie Lys has selected a repertoire that traces the career of this unique soprano in a representative way The musical journey begins in Venice with Vivaldi's InchLa verità in cimentoInch from 1720, leads via Naples with arias from operas by Domenico Sarro, Leonardo Leo and Leonardo Vinci to London with three arias from Handel's operas Lotario, Alcina and Arminio. After a successful decade in London, she returned to the Italian stages in 1738, where she rounded off her career with performances in Naples and Turin in operas by Ristori, Porpora and Galuppi. New roles and operatic music thought lost come to light on this recording. A fine example is the music from Popora's Tiridate, from which this album takes it's title InchAmate StelleInch. Album Tracks 1. Aria Con Più Diletto Il Mio Cupido (From la Verità in Cimento, RV 739) 2. Aria Se Veglia, Se Dorme, L'amante Mio Core (From Tito Sempronio Gracco) 3. Aria Scherza in Mar la Navicella (From Opera Lotario, HWV 26) 4. Recitativo Io Gelosa Non Sono - Aria Il Ruscelletto Amante (From Opera Eraclea) 5. Non Vedi Tiranno Ch'io Moro D'affanno (From Achille in Sciro) 6. Ah! Mio Cor! (From Opra Alcina, HWV 34) 7. Quando Irato Il Ciel S'oscura (From Oper Zenobia in Palmira) 8. Infelice in Van Mi Lagno (From Opera Achille in Sciro) 9. No, Ingrato, Amor