Miles Davis - Kind Of Blue - VINYL LP

Regarded by many critics as the greatest jazz album of all time and Davis's masterpiece. This 1959 album's influence on music, including jazz, rock and classical, has led music writers to acknowledge it as one of the most influential albums of all time. This septet features Jazz heavyweights John Coltrane, Bill Evans and Cannonball Adderley. Newly remastered and pressed on 180g vinyl. Album Tracks 1. So What 2. Freddie Freeloader 3. Blue in Green 4. All Blues 5. Flamenco Sketches

A minor audio complication with Kind of Blue has been addressed with our UHQR edition, and now with this 331/3 RPM double LP reissue.The motor on the studio's 3-track master recorder was running slowly the day of the album's first session. This speed issue affected the album's first three tracks, 'So What, Freddie Freeloader' and 'Blue in Green,' making them a barely perceptible quarter-tone sharp. Before now, it was only addressed in 1995 for the Classic Records edition and by Columbia Records - or their latter-day parent, Sony Music - on a CD reissue in the late '90s. This edition also contains on Side 4 'Flamenco Sketches (alternate take)' cut at 45 RPM.Legends have a way of sticking around. If there was ever an album awaiting a high-fidelity, custom-pressed vinyl treatment of the level you now hold in your hands, it is Miles Davis' Kind of Blue. The top-selling jazz album of all time, it has been lauded, entered into 'Best Of' lists and Halls of Fame, and universally acknowledged as a landmark recording - a five-track masterpiece of melancholy mood and melody.It continues to be one of the most listened-to and studied recordings of all time, a required primer for many young musicians, and one of the most transcendent pieces of music ever recorded. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian 'Cannonball' Adderley with Wynton Kelly playing piano on 'Freddy the Freeloader.'Kind of Blue is more than Miles Davis's most enduring recording, it's a testament to Miles' experimental approach, drastically simplifying modern jazz by returning to melody unlike the chord complexity more often heard at the time. 'The music has gotten thick,' Davis complained in a 1958 interview for The Jazz Review. '... There will be fewer chords but infinite possibilities

Deftones have always defined boundless creativity in the music space. Across nine studio albums, they have carved out an unmistakable sonic identity - ferocious yet dreamlike, while making space for constant refinement and surprise. Now, decades on from the groove-forward sound of their era-defining debut, Adrenaline, and following a long line of masterpieces including 2000's White Pony, 2010's Diamond Eyes and 2020's Ohms- an album that earned them their second and third Grammy nominations - they return with one of the most focused statements of their career private music. Joining the band's creative core of Chino Moreno, Stephen Carpenter, Abe Cunningham and Frank Delgado (as well as touring bassist Fred Sablan, who appears on the album) is producer Nick Raskulinecz, who previously worked on Diamond Eyes and 2012's riveting Koi No Yokan. The result is a lean, masterfully paced 11-song set that plays like a new Deftones benchmark. Meditating on the beauty and peril of nature, the challenge of cultivating a positive mindset and visions of a journey beyond the physical realm, private music showcases Deftones at their most evolved. At once a psychedelic voyage and a skull-rattling wallop, it's the latest peak in a catalog filled with immersive, emotive triumphs. Album Tracks 1. My Mind Is a Mountain 2. Locked Club 3. Ecdysis 4. Infinite Source 5. Souvenir 6. CXZ 7. I Think About You All the Time 8. Milk of the Madonna 9. Cut Hands 10. Metal Dream 11. Departing the Body