ORF Vienna Radio Symphony Orchestra - Cello Concerto No. 1 Symphony Op. 20 Ballad Romance - COMPACT DISCS [CD]

Among Bruckner's Symphonies, the Fifth is his contrapuntal masterpiece; the grandest until the Eighth. The tour-de-force of a finale gives us an idea of what the finale of the Ninth might have been like. It's magnificent dark and halting opening with the descending bass line - so effectively recalled in the finale - is inimitable. Although long available only in a disfigured version by Franz Schalk, it is also distinct for never having been the subject to revision or, perhaps, even doubt on the part of Bruckner - who never heard it performed with an orchestra. And yet, when Bruckner wrote this masterpiece, he was still far from establishing himself as a composer in Vienna and his spirits were as low as ever, writing a friend that Inchmy life has lost all joy and delight - in vain and for nothing.Inch A radiant pinnacle from amid darkness.

Gunter Raphael's Symphony No. 1, composed in 1940, is characterised by it's melodic richness and expressive depth, which is strongly influenced by the late Romantic tradition. The masterful orchestration and the dramatic, almost poignant character of the music, which is wonderfully expressed in the interpretation by the ORF Vienna Radio Symphony Orchestra under the direction of Fabian Enders, is particularly noteworthy. Although it was composed during the National Socialist era, it does not reflect any ideological instrumentalisation, but rather shows an artistic expression that is characterised by human feeling and inner reflection. It's harmonies are rich and complex without drifting into the radical modernism of the time, making the symphony a unique work in the context of 20th century music.

Ernst von Dohnanyi was one of the most versatile and influential musicians of his time but his works are now seldom played. A gap which Capriccio want to fill now with this fifth recording of his late romantic, sensual music, deeply rooted in the Austro-German classical tradition. An appetizer is the overture of the one-act opera Tanta Simona, which has plenty of that Italian flair to show for that runs through the opera's plot. After it's premiere in 1910, the Suite in F-sharp minor Op.19 became one of the most performed Dohnányi's works, whereas the American Rhapsody Op.47, which is full of quotations with American folk melodies, was his last orchestral work, first performed in 1954 at Ohio University. Finally his 8 years younger colleague Leó Weiner shows us in his early composition, the Serenade in F minor (1906) apart from the influence of the German and Austrian romantics, typical Hungarian colors and rhythms.