5 Horror Classics [DVD]

The She-Beast
In this spooky Italian-Yugoslavian horror movie, a lovely English bride is possessed by the vengeful spirit of an 18th-century Transylvanian witch on her wedding night and creates all sorts of bloody mayhem for her hapless husband and others. ~ Sandra Brennan, Rovi

The Wasp Woman
This goofy but entertaining horror cheapie from producer-director Roger Corman and company involves the efforts of a questionable scientist working for cosmetics magnate Susan Cabot, who is developing a new rejuvenating beauty cream derived from an enzyme secreted by wasps, intended to make women look eternally youthful. A vain woman obsessed with restoring her lost beauty, Cabot insists on being the first test subject. The solution proves remarkably effective at first, transforming her into a sultry raven-haired vixen...until she begins to take on the predatory traits of a giant female wasp, setting out on a nocturnal killing spree. Originally double-billed with The Beast from Haunted Cave, this cheesy monster mash inspired the less-amusing Leech Woman and was later remade for 1980s audiences (i.e., with a higher sex-and-gore quotient) as Evil Spawn. ~ Cavett Binion, Rovi

The Killer Shrews
Ken Curtis, former singing cowboy and Gunsmoke's Festus, joined right-wing radio's Gordon McLendon in producing this hilariously bad monster movie about a horde of outsized rodents run amok on an isolated island. The creation of mad scientist Baruch Lumet (father of acclaimed director Sidney Lumet), the monster shrews (portrayed by collies in goofy rubber masks!) escape the lab during a hurricane and devour nearly every other animal on the island before seeking human prey -- including star James Best and girlfriend Ingrid Goude (1957's Miss Universe), who are stranded on the island by the same storm. The survivors manage to escape to safety thanks to some goofy contraptions constructed from trash cans. This one is best remembered by bad-film buffs for its tail-wagging canine stars and a multitude of famous names on both sides of the camera. Curtis and McLendon's companion film The Giant Gila Monster is slightly less ridiculous. ~ Cavett Binion, Rovi

The Ape
This painfully-bad Monogram feature wastes the talents of two of horrordom's finest -- star Boris Karloff and co-writer Curt Siodmak (who would write the horror classic The Wolf Man for Universal the same year). The goofy plot involves the efforts of one Dr. Adrian (Karloff) to procure human spinal fluid for his polio-vaccine research by donning the pelt of a slain circus ape and slaughtering innocent people. The fact that he's snapping spines in the interest of medicine doesn't really help to clear the moral waters (he never does find a cure, anyway). Filmed during a particularly grueling year for Karloff, this marks the end of his lengthy stir with Monogram (after a tedious string of Mr. Wong potboilers). Without Karloff to kick around, the studio concentrated their humiliating efforts on Bela Lugosi, who appeared in a virtual remake, The Ape Man, three years later. ~ Cavett Binion, Rovi

Werewolf in a Girls' Dormitory
A school for wayward girls is plagued by mysterious attacks by a strange beast. This low budget, melodramatic horror film has several shadowy characters who are suspected of being werewolves. The girls really are wayward as they wander off into the nearby forest every time the moon is full. A wolf, a girl, and three men meet their demise at the claws of the unknown throat ripper. Terror grips the campus as the search continues for the murderous monster. ~ Dan Pavlides, Rovi