The Westminster legacy of a master Chopin interpreter, issued complete for the first time in an 'original covers' box of new remasterings. Almost half a century before Lang Lang, the pianist Fou Ts'ong took Europe and then the US by storm. With his third-prize finish at the 1955 International Chopin Competition in Warsaw, listeners and critics alike were astonished to encounter a mature and seemingly instinctive feel for the uniquely Polish rhythms and passing harmonies of Chopin's music, under the fingers of a 21-year-old from Shanghai. Having undertaken further studies in Poland, Fou Ts'ong left his family behind and settled in London to escape the looming shadow of Chinese authoritarianism. He entered into a relationship with the Westminster , for whom he would record nine albums between 1960 and 1967, all newly remastered and gathered together for the first time in the present collection. They encompass a good range of his repertoire predilections, as well as the scope of his youthful artist maturity. He is also joined by Daniel Barenboim and Vladimir Ashkenazy for a joyous traversal of Mozart's concertos with two and three pianos in a 1972 Decca recording. His Westminster collection of 12 Scarlatti sonatas was praised at the time for it's crisp, modern approach and vividly naturalistic touches. An album of Bach and Handel similarly reveals the intelligence, taste and inherent musicality which Fou Ts'ong brought to this repertoire on the modern concert grand. Several more Westminster albums demonstrate Fou's affinity for Mozart not so surprising, given that he imprinted on his father's record collection with it's 78s of Artur Schnabel and Wanda Landowska. The pianist may have forsaken his homeland for good, but his musicianship encompassed both European and Chinese aesthetic ideals. He praised Chinese poetry for it's strength of feeling without excess 'It has