Every Royer R-10 delivers the sonic excellence, flexibility and durability that recording & FOH engineers know they can expect from Royer, but at an easier-to-handle price point than most expect! The R-10 is a passive, mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank, California factory, the R-10 is exceptionally rugged, handling SPLs of up to 160 dB @ 1 kHz (!), and its compact size and mounting system allow for flexible, unobtrusive positioning. The R-10's 2.5-micron aluminum ribbon element (same as in the legendary R-121) is formed with our patented direct-corrugation process, and is extremely well-protected by a 3-layer windscreen system and internally shock-mounted ribbon transducer. The R-10's built-in windscreen provides superior protection from air blasts and plosives, while also reducing proximity effect (bass buildup from close micing) so guitar cabinets and acoustic instruments can be more easily close-miced. The internally shock-mounted ribbon transducer isolates the ribbon element from unwanted vibrations, decreasing rumble and increasing the ribbon element's durability. The transducer is even wired for humbucking to better reject electromagnetically induced noise! The R-10 utilizes a David Royer custom-designed transformer for high overload threshold, minimizing saturation at even extremely high sound pressure levels. You'll never overload an R-10! The mic's open grill design minimizes standing waves and associated comb-filtering effects and its smooth frequency response, phase linearity and lack of self-distortion make it ideal for all digital recording and live sound formats. The R-10 is truly an excellent tool for recording almost any sound source you can think of!
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Every Royer R-10 delivers the sonic excellence, flexibility and durability that recording & FOH engineers know they can expect from Royer, but at an easier-to-handle price point than most expect! The R-10 is a passive, mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank, California factory, the R-10 is exceptionally rugged, handling SPLs of up to 160 dB @ 1 kHz (!), and its compact size and mounting system allow for flexible, unobtrusive positioning. The R-10's 2.5-micron aluminum ribbon element (same as in the legendary R-121) is formed with our patented direct-corrugation process, and is extremely well-protected by a 3-layer windscreen system and internally shock-mounted ribbon transducer. The R-10's built-in windscreen provides superior protection from air blasts and plosives, while also reducing proximity effect (bass buildup from close micing) so guitar cabinets and acoustic instruments can be more easily close-miced. The internally shock-mounted ribbon transducer isolates the ribbon element from unwanted vibrations, decreasing rumble and increasing the ribbon element's durability. The transducer is even wired for humbucking to better reject electromagnetically induced noise! The R-10 utilizes a David Royer custom-designed transformer for high overload threshold, minimizing saturation at even extremely high sound pressure levels. You'll never overload an R-10! The mic's open grill design minimizes standing waves and associated comb-filtering effects and its smooth frequency response, phase linearity and lack of self-distortion make it ideal for all digital recording and live sound formats. The R-10 is truly an excellent tool for recording almost any sound source you can think of!

The PodMic is a broadcast-quality dynamic microphone optimised for incredible performance in podcasting, livestreaming, and other speech or vocal applications. Offering a rich, full-bodied sound, with an internal pop filter for minimising plosives, internal shockmount for reducing vibrations, and a swing mount for easy positioning, the PodMic will take your content to the next level.

The PodMic USB is an ultra-versatile, broadcast-grade dynamic microphone for podcasting, streaming and content creation. It offers the same incredible sound quality and compact yet rugged form factor as the best-selling PodMic, with a powerful new feature up its sleeve: XLR and USB connectivity. Fresh off the back of the release of the NT1 5th Generation – the first studio condenser to offer both XLR and USB connectivity – this incredible feature has now been added to the PodMic. When using the analog XLR output, the PodMic USB is exactly the same as the original, albeit with a sleek new finish and studio-grade pop filter. When using the digital USB output, it offers a range of next-generation features that make it super flexible, including a Revolution Preamp and high-quality analog-to-digital conversion for pristine audio capture, advanced DSP for adding professional APHEX voice processing to any recording, and compatibility with smartphones and tablets for use on the go. It also features a zero-latency headphone output and on-board volume control and is compatible with the complete RØDE software suite, including RØDE Central, RØDE Connect, RØDE Capture and UNIFY, making it the most versatile microphone ever.

The RØDE NT-USB Mini is a compact, studio-quality USB microphone designed for recording direct to a computer or tablet. It is simple to set-up and use, and a smooth frequency response and directional pickup pattern make the NT-USB Mini perfect for recording vocals and instruments, livestreaming and gaming, podcasting, voice calls and more. The included desk stand features a magnetic base that can be detached for easy mounting on mic stands or studio arms, and with its in-built pop filter and zero-latency headphone monitoring, the NT-USB Mini delivers crisp, clear audio in all recording applications
| Pros for Royer Labs - Studio & Live Stage Microphone, Passive, Mono Ribbon | |||
|---|---|---|---|
| There were no pros for this product— | Sound Quality, Ease of use, Pop Filter, Price, Design | Sound Quality, Versatility | Sound Quality, Ease of use, Pop Filter, Size, Compatibility |
| Cons for Royer Labs - Studio & Live Stage Microphone, Passive, Mono Ribbon | |||
| There were no cons for this product— | Weight, XLR Cable | There were no cons for this product— | There were no cons for this product— |