Laurel & Hardy, Vol. 2 [DVD]

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Special Features

  • Interactive menus
  • Scene index
  • Digitally mastered


Yes, Yes, Nanette
This two-reel Hal Roach comedy was not one of James Finlayson's best starring efforts, but it's notable because it's the first film in which Stan Laurel directed his future comic partner, Oliver Hardy. Hardy just has a bit part, and according to Rob Stone's excellent book, Laurel or Hardy, he only received 12.50 for a day's work -- an extra's pay -- instead of his usual 250 dollars per week. Nanette (Lyle Tayo) informs her family that she has married the perfect man, but when she arrives home with hubby Hillory (Finlayson), no one is terribly impressed. In fact, Nanette's family does everything they can to make the wimpy Hillory miserable, especially when it comes to his cheap toupee. Even Nanette's former suitor (Hardy) comes around to give the hapless new husband a hard time -- until Hillory finally rounds up enough courage to get rid of the ex-boyfriend and assert himself. ~ Janiss Garza, Rovi

The Stolen Jools
Mud and Sand
This slapstick parody of Rudolph Valentino's Blood and Sand really put Stan Laurel on the map as a film comedian. While no Valentino, Stan is quite handsome as aspiring toreador Rhubarb Vaselino. When he enters a bullfight and lays three bulls to waste, his reputation is made. He weds his childhood sweetheart Caramel (Julie Leonard) and at the height of his career he is paired with the greatest bull in all Spain. But before the fight he ruins his marriage by his involvement with a wicked vamp. He goes on to defeat the bull but he is felled at the height of his victory when he's hit by one of the hats thrown into the arena -- a spurned young lovely has put a brick in it. Obviously the plot wasn't much to speak of, and the gags were the thing, along with Stan's inimitable timing. This was one of a series of comedies he made for producer Gilbert M. "Bronco Billy" Anderson -- in 1923, the comedian would move over to Hal Roach's studio where, after a few years, he would team up with another comic actor by the name of Oliver Hardy. ~ Janiss Garza, Rovi

Hop to It!
Bobby Ray and Oliver Hardy are rival bellboys at the Hotel Bilkmore in this two-reel farce, one of four "Mirthquake Comedies" the team would make for low-budget Cumberland Productions. The guest in room nine (Frank "Fatty" Alexander) is carrying a large bankroll, which both Ray and Hardy plan to help him spend. The Bilkmore, however, is rather ramshackle and a loose nail causes room number nine to appear as number six, causing Ray to repeatedly give the wrong guest a bath. Hardy, meanwhile starts a fire to divert attention from his plans to steal the bankroll, but he is caught by Ray and the inevitable chase is on. ~ Hans J. Wollstein, Rovi

Stick Around
Diminutive Bobby Ray and portly Oliver Hardy play employees of the Blatz and Blatz Interior Design company, hired to wallpaper Dr. Brown's sanatarium. When an inmate accidentally drops alcohol into the hospital's water supply, the two drunken wallpaperers go at their work with a vengeance. A now-forgotten comic, Ray looked enough like Stan Laurel for this inexpensive two-reel comedy to be advertised as a Laurel and Hardy offering when released to the home movie market in the early '60s. Hardy himself later acknowledged that his character in this film resembled the Ollie of later fame, with a condescending attitude toward his less-brainy partner, dainty hand gestures and all. Produced by comedian Billy West and released as a "Mirthquake comedy," Stick Around also featured Hazel Newman as a nurse and Harry McCoy as the owner of the sanitarium. ~ Hans J. Wollstein, Rovi

The Flying Deuces
In their first starring feature away from the Hal Roach studios, Stan Laurel and Oliver Hardy play a couple of fish peddlers from Des Moines on a Cook's Tour of Paris. While stopping over at quaint suburban inn, Ollie falls in love with innkeeper's daughter Georgette (Jean Parker). At Stan's prodding, Ollie pops the question to Georgette, who gently refuses because there is Someone Else. Disconsolately, Ollie decides to commit suicide by jumping into the Seine, insisting that Stan join him in his plunge to oblivion. The boys are halted from this drastic action by the timely arrival of Francois (Reginald Gardiner), an officer in the French Foreign Legion. Francois convinces Stan and Ollie that they'll forget all about Ollie's lost love if they join the Legion, and within a few days our heroes are in uniform at an outpost in French Morocco, where they are promptly assigned to laundry detail. Alas, try as he might, Ollie can't forget his beloved Georgette-until Stan suggests that he pretend to forget so that they can get back in their own clothes and head home. This Ollie does, but not before accidentally setting fire to a mountain of laundry. After leaving behind a rather nasty letter of resignation for their scowling commandant (Charles Middleton), Stan and Ollie pack their bags and head for the airport-where Ollie is reunited with Georgette, who turns out to be the wife of their commanding officer Francois! Sentenced to death for desertion, the boys tunnel their way out of their jail cell and hide out in an airplane, which Stan accidentally sends into flight. After a wild and noisy ride, the plane crashes, leading to the flm's hilarious-and somehow touching--"freak" ending. Officially a remake of Les Aviateurs, a French vehicle for Fernandel and Toto, The Flying Deuces also owes a lot to the earlier Laurel & Hardy Foreign Legion farce Beau Hunks. Highlights include Stan and Ollie's impromptu soft-shoe rendition of "Shine on Harvest Moon", and Stan's lunatic excursion into Harpo Marx territory as he plays a bed-spring "harp". Produced by Boris Morros and released by RKO Radio, Flying Deuces is unquestionably the best of Laurel & Hardy's non-Hal Roach vehicles. ~ Hal Erickson, Rovi

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